Tag Archive: TV


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I’ve always been partial to a good surprise. I was one of those children who secretly hoped for a surprise party or who would hint heavily to his friends that his birthday is just around the corner and wouldn’t it be lovely if everyone in his class sang to him? (Note: Rest assured, I’ve grown out of that.) I love surprising people too. I like to see their faces when I give them a meaningful gift or organise a treat for them. I’m a big fan of surprises – they break the monotony.

A few Christmases ago, my mum decided to tell me weeks before the big day that she had bought an iPad for me and I went ballistic. I was totally grateful for the cracking gift but I was furious that she spoilt it! Part of the joy of Christmas is the excitement and build up and she had casually demolished the mystery! Ooof! I was annoyed….

So, it’s probably not a surprise that I am totally anti-spoiler when it comes to TV. I don’t watch much TV, so the shows that I do watch mean a lot to me. And it means a lot to me that those programmes aren’t spoiled. I present to you, Case Study One: EastEnders.

Sometimes, particularly in these upcoming cold, dreary winter days, the thought of getting home, putting on my pyjamas and watching EastEnders (and thinking ‘Well, at least my life isn’t that bad…’) is all that makes the day bearable. I haven’t missed an episode for about three years. I know it’s a sad fact, but nevertheless, it is true. This week was a big week for EastEnders, with plenty of shocks and surprises promised. There was a lot of hype and, I admit, I was a bit excited. So you can imagine my disappointment when all the shocks and surprises were announced before transmission. I spent the whole week sighing and tutting as another storyline unfolded in the predictable or previously announced way. It shouldn’t have been boring, but it was. (OK, there were a lot of things wrong with last week’s episodes, but I maintain the stance that if everything had been kept secret I would have enjoyed the episodes a lot more.) Why do shows feel the need to leak everything beforehand? Alright, there is an argument that I shouldn’t go looking for spoilers, but we’re in an age now where even logging onto Twitter or Instagram can ruin a show for you – I didn’t have to look far. In the last few years, under the previous Executive Producer, some of the best storylines were transmitted by surprise. Look at the 30th Anniversary episode – they brought back Kathy. Iconic and memorable and a total shock. So, EastEnders, stop spoiling things for your fans! You CANNOT hype up a mystery ‘major character death’ and then, days later, announce an actor is leaving and not expect us to put two and two together. We’re not stupid.

On the topic of Twitter, I was getting increasingly agitated by the constant stream of spoilers in my news feed for Game of Thrones (which also happens to be Case Study two, for those of you keeping score of that). I understand people want to talk about it when they’ve watched it but what I don’t get is the need to spoil it for everyone. You don’t need to tweet (in detail) about it. You certainly don’t need to record clips from episodes into a snapchat story!! (I actually had to block someone for this – What kind of monster does something like that?!). Digital Spy also seem intent on spoiling it for others by revealing spoilers in their article titles or, even worse, writing a vaguely mysterious title about a possible death in the episode then spoiling it with a picture of the dead character in question! Stop! I will read your article but let me watch the bloody episode first!

There was a time when, keen for more information on plots and such, I would have gone looking for spoilers online but I have since discovered the art of watching spoiler-free. The 50th Anniversary of Doctor Who taught me this can be a very rewarding experience. I enjoyed the episode so much more because I didn’t know what was coming and I was able to immerse myself properly. The same goes for the last season of American Horror Story. Despite each episode airing in the USA days before the UK, I was able to avoid spoilers and it made the season for me. I was totally obsessed with the show and it made me want to tune in each week. If I’d known what was happening, I’d have just been tuning in out of habit or to prove my findings correct, which isn’t quite the same experience.

My earliest memory of spoiler-rage is set in the school canteen. (This could be Case Study three, but to be honest, I’ve sort of lost track of that). I was (and still am) a huge Harry Potter fan and I used to buy each new book the day it was released, then spend as many hours as possible reading. I’d take the books everywhere – I’d read in the car, in the bath, in school during lunch time, and during 90% of the time I spent at home. I’d invested so much time in these stories and I really cared about what was happening. So, imagine my absolute (hormonally-assisted) meltdown when a girl in the dinner queue casually told everyone that Sirius dies in the fifth book. I was just pages away from the heart-breaking moment, and to hear it being announced (so proudly, by someone who hadn’t even read the sodding book) sent me into a rage! If she thought it was a good idea, she was gravely mistaken. ‘Oh! Thank you! Thank you very much for revealing that bit of information and saving me the trouble of finishing the book I’ve spent the last 48 hours reading during every waking moment. Phew! For a minute I thought I was going to have to enjoy it!’

Urgh. It still makes me cross. I can hold a grudge.

I don’t understand this necessity to prevent people from enjoying something you have had the privilege of enjoying. If you have watched something awesome, why would you want to spoil it for someone else? The guy who streamed Game of Thrones over his snapchat story – what was he benefitting from that? EastEnders weren’t benefitting anything from their pre-publicity reveals. If they’d have kept some mystery people might have watched to find out the answers.

So there are no positives to spoilers. The clue is in the name. It spoils everything. So stop it. Stop it right now!

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Well I think we can all agree that this week’s episode of Doctor Who was terrifiying. Set on a troubled space station, Oxygen saw the Doctor, Bill and Nardole arrive to answer a distress signal. As if dealing with the space-zombies (dead astronauts being carried around by their smart-suit) wasn’t enough, they also had to deal with the lack of oxygen. Stressful stuff.

It feels like the Doctor has been travelling to increasingly darker territories since the show’s return in 2005. We’ve had everything from face-consuming gas masks to shadows that will eat you alive but it seems the show is still finding new ways to make us shudder.

Whilst Russel T Davies injected fresh new life into Doctor Who, it’s been Steven Moffatt who is responsible for giving it that chilling streak. Since the beginning of his reign we’ve had the Weeping Angels (terrifying!), Dream Crabs (bloody terrifying!) and the Silence (Oh good God, I’d forgotten about those!) – all suitably creepy enough to give us nightmares. But is this what Doctor Who is about? There’s plenty of criticism online that recent series’ have been too dark and scary for children and there’s lots of people who would like to see it return to its warmer, family-friendly roots.

Take Oxygen. I have to admit, I was freaked. The imagery of the dead astronauts stomping around the space station was effectively eerie, an image I can’t imagine many children will be forgetting in a hurry. But, to me, that’s what it’s all about. Yes, I like watching the Doctor travelling to different planets and having banter with his companions but I also like it when it scares me. When I’m still thinking about it as I go to bed. The Doctor lives a dangerous life and it does the audience good to be reminded of that. It’s not all Oods and Robin Hood. One of the most powerful sequences in this episode was the moment Bill is exposed to the vacuum of space. The peril felt real, aided by a great performance from Pearl Mackie. Bill’s genuine fear throughout the episode came across really well, adding to that feeling of unease as you watch from behind your cushion. Then, ofcourse, the suckerpunch of episode came as the Doctor paid a price for his adventures and lost his sight. Grim stuff.

It’s not just the monsters. We’ve been hit with a different kind of scary several times in recent series as the show has proved it can do psychological terror pretty well too. For example, the words ‘Don’t cremate me’ are enough to give you goose bumps. Doctor Who is able to show us just how awful our own world can be, because anything is possible in the Whoniverse, even the most horrendous of situations.

But should Doctor Who tone down the fear factor? Of course not! Classic Who is remembered most for being terrifying (if a little shoddy on the special effects) so NuWho is simply bringing that thread into 2017. It’s a rare breed of show that has a license to do whatever it wants, so it should always be finding new ways to scare us. The best episodes are the ones we’re stilling thinking about and shuddering days later. Doctor Who should always have the ability to send us diving behind the sofa.

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You know I love EastEnders. I’ve had a run for at least four years where I haven’t missed an episode. In the days of the Lucy Beale Saga I was even known to watch episodes twice in case I’d missed anything. Bordering on pathetic, I know, but this heart only beats for one soap and that’s Easties.

However, those days of double viewings are long gone. Since the autumn, it’s hurts me to say, EastEnders has been a disappointment, with the only bit of real excitement being the soon-forgotten bus crash. Gone are the firecracker episodes of recent years (the live episode, Sharon and Phil’s wedding, all the Carter chaos, Claw-dette and the aftermath of Paul’s death to list just a few), instead we’re left with pathetic, half-arsed sighs of episodes, like the writers have actually just given up. Lazy writing, boring storylines and character personality swaps – here’s just handful of reasons I think EastEnders is going wrong!

  • Ronnie and Roxy – I’ve already written about this but still….What the HELL?! Four months later and I’m still not over it. Two of the most iconic characters played by very skilled actresses bumped off in a very (ahem) damp storyline. Ronnie and Roxy deserved so much more than a hastily written exit clearly fashioned to grab cheap ratings. Please, EastEnders, let it all be a dream and just bring them back!
  • Mass Character Culling – it’s not just R&R who have been victims of an over-hasty axing. It seems to be the strongest characters who have left suddenly over the past few months. First, Pam and Les, a couple representing everyday folk, suddenly shoved in a taxi and sent off to Worthing. Then there was Claudette, a fiery matriarch with so many secrets yet to be uncovered. She had one hissy fit with Patrick and disappeared into the night. And don’t even get me started on Babe, who gave her finest performance yet in her last episodes. (I think I’m going to start cursing people too). That’s before we even mention Lee and Belinda! Jeez, Easties, get a grip!
  • Boring newbies – I’m talking about the teens. Stereotypical and dull. Teenagers don’t talk like that. It makes me cringe every time. Stop it, EastEnders. Stop it now.
  • Pointless returns – I am all for a return, especially if it’s an unusual one, such as Yolande or Derek, but what I don’t like is characters who are brought back for no reason. Yolande hovered about for a couple of minutes before disappearing back into the ether. WTF. In previous years we’ve had some fantastic surprise returns (remember Anthony when Patrick had a stroke? Rainie Cross revealing a secret bunk up with Ian? Morgan and Tiff for Whitney’s wedding? Not to mention Kathy. KATHY!) all of which have had a purpose and been really effective
  • Dull storylines – One word. Bins. Need I say anymore?
  • Mick and Whitney – The whole ‘will they, won’t they’ thing with Whit and Mick has been ridiculous. We all know Mick would never cheat on Linda, they’re the most solid couple on square. Stop trying to force this one on us, scriptwriters, it’s not working.
  • Ben and Johnny – Oh I could write a whole post about this one! Ben and Johnny have been mates for years, barely a hint at romance. In fact, years ago, when Johnny had a different face, he rejected Ben and that has sort of been the basis of their friendship since. Until last week when all the other characters suddenly and fleetingly decided they were ‘meant for each other’ (and kept repeating it throughout the episode just to really shove it down our throats). Of course, by the end of the episode they were in bed together. Because, of course, gay men can’t be friends, they always end up shagging their mates. *massive eye roll*
  • Pointless, slapdash storylines – the bus crash – no aftermath. Ronnie and Roxy’s deaths – pitiful aftermath. Johnny and Ben sleep together – agree to be friends again at the beginning of the next episode. Denise’s mum casually reveals she was adopted as she’s getting in a car to leave – barely mentioned again. On times it feels like the story threads have been planned by a hyper-active cocker spaniel. There such a lack of direction or continuity that it makes you think this new producer hates the show and is sabotaging it from the inside….
  • Michelle – It was very brave of producers to recast Michelle, and to an extent it has worked. It’s been good to see the Fowlers branch out a bit and perhaps, if a return of Vicky or Mark Junior was in the works, Michelle might stand a bit more chance of succeeding. So far her constant moaning and references to ‘the way mum use to’ do things is getting on my nerves. Though I must admit her special episode with Sharon was fabulous, full of witty, emotive dialogue. My advice – get rid of Preston, stick her with Sharon and bring in some of her kids. Oh, and let her carry on teaching.
  • Dreadful writing – I remember the days when the writing used to fizz and pop. With the exception of a handful of episodes, the writing this year has been pretty bland. Being able to guess what a character is going to say word for word is not a sign of good writing, and that seems to be happening a lot. We’re suddenly being subjected to a barrage of stock-phrases (‘poor kid’, ‘who does something like that?’, ‘Is this some kind of sick joke?’ *shudders*). Another hint that the writers have just given up.

There was a time when, if you’d have said I’d be writing such a negative blog about my beloved EastEnders, I’d have told you to sling yer ‘ook and get outta ma pub. I’ve tried so hard over the last few months to ignore the building negativity but I just can’t handle it anymore! This week has been billed as ‘explosive’ with the reveal of Michelle and Preston’s forbidden relationship and a rumoured disaster. I’m pinning all my hopes on it living up to the hype, with some powerful performances and possibly some surprises in store, because if it’s another disappointment, I might be giving Easties the duff duffs.

The new trailer for series 10 has landed and I couldn’t be more excited. It’s been a while since the Doctor was on our screens (except for the Christmas special) and I’d forgotten just how much I love this programme. With the latest hype over the new series and a new Doctor on the way, it’s all change, and my excitement has been regenerated. I’ve spent Sunday watching some of my favourite episodes (be warned – NuWho only.  I only started watching in 2005. Sorry!) and I couldn’t resist revisiting some of the most gasp-inducing moments! I cannot believe I’ve only ever blogged about Doctor Who once – ridiculous! Allow me to rectify that.

(Oh and I’ve split this blog into two parts. Partly because it’s massive but also just to be uber-annoying. Enjoy!)

Number 15 – Daleks! Bad Wolf, Series 1.

We’d already seen one Dalek in NuWho and, perhaps I was naïve to think we wouldn’t see them again for a while. Just as we were recovering from Rose being murdered on live television, we were even more shocked to discover she is alive, but being held in a Dalek fleet ship. The cries of ‘Exterminate’ were genuinely terrifying. This episode also revealed the story arc of Bad Wolf. I remember being totally blown away to discover the messages Rose had left the Doctor throughout the series and had to re-watch immediately to spot them all over again. I think this is when I really began to admire RTD’s work….

Number 14 – The Doctor is killed, The Impossible Astronaut, Series Image result for the impossible astronaut gif6.

There was something about this series that felt very different from the start. We knew one character was going to bite the dust but we didn’t realise it would be The Doctor, who was murdered at the side of Lake Silencio. Watching him get shot in the distance as Amy, River and Rory react in horror was very grim and a moment that haunted us for the rest of the series. (Note: The clever resolution in The Wedding of River Song should also be mentioned. Well done. Bravo. *claps*)

Number 13 – Skaro and Davros, The Magician’s Apprentice, Series 9.

Well we didn’t see this one coming. The opening story of series 9 was packed with twists and cliffhangers. Davros’ return was kept a secret until transmission, a decision which certainly paid off. The moral focus of the storyline, as the Doctor struggles with the decision to rescue or abandon the young Davros, kept us thinking throughout. The moment Skaro materialises around Missy and Clara was also a skin-tingling moment and refreshing to see other characters react in horror to a reveal, rather than the Doctor.

Number 12 – The Zygon Invasion/The Zygon Inversion, Series 9.Image result for the zygon invasion

Two of my favourite episodes to date. Subtly topical, this double bill acts as a sequel to the 50th anniversary episode and explores what happens when the 20 million Zygons hiding as humans on Earth begin to revolt. The parallels drawn between modern political issues make for a thrilling and thought provoking set of episodes and Peter Capaldi shines during a powerful speech on fairness and consequences of decisions. We also have the return of fan-favourite Osgood, who acts as a welcome source of morality in what can be a pretty grim set of episodes. Another underrated story that deserves much more praise.

Number 11 – Eleven Regenerates, The Time of the Doctor, Christmas special.

It’s a bit annoying that Eleven happens to revert back to his younger state before Image result for eleven regeneration gif amyregenerating, but that aside, another powerful moment. Murray Gold does it again with an excellent score. The riff of ‘The Long Song’ as Amy reappears to the Doctor still brings a great big lump to my throat. And then he takes off his bow tie! Who would have thought such an action would leave millions in total despair?! But, I think what really pushes your emotional buttons in this scene is the Eleventh Doctor’s last speech…

‘I will always remember when the Doctor was me.’

You can’t help think there’s a bit more Matt Smith in that speech than the character he’s playing.

Number 10 – Amy and Rory’s deaths, The Angels Take Manhattan, Series 7.

Just when you thought Amy and Rory have survived their final episode, Rory is touched by a Weeping Angel and sent back in time to live out the rest of his life. A devastated Amy sacrifices herself to be with Rory and the Doctor is left bereft. *sniff*

Number 9 – The Master Returns, Dark Water, Series 8

Trapped in the Time War way back during The End of Time, we thought we’d saw the last of The Master. So, it was quite a shock to discover Michelle Gomez’ bonkers Mary Poppins-esque Missy was in fact The Master in female form. Gomez injected new life into the character and plays Missy with devilishly mad style. Even though she’s ‘bananas’ we can’t help but love her….even if she did kill one of the Osgoods.

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Image result for roanoke AHS‘The old magic and new world created something new. Something original.’

I have a new obsession.

American Horror Story should be something that doesn’t interest me. It’s got all the ingredients of a show I’d usually hate – gore, cruel deaths and human jerky. However, despite it appearing to be a beast that is Anti-Rebellious G…..I absolutely love it.

I watched the first season, Murder House, about two years ago. It was around Halloween and feeling uncharacteristically in need of a scare, I came across season one. I was hooked from the beginning (despite having to shield my eyes from the titles.) I loved everything from its gritty characters to creepy sets to gripping (if a little whacky) plots. It was fresh and totally different to my usual viewing. Its also perfect October television. Best watched on dark nights with a cup of tea (and a pillow to hide behind).

Two years and six seasons later I am up to date. Friday nights in Roanoke are one of the highlights of the week. I always thought Asylum was the strongest season. Until now.

After the penultimate episode of season 6, I think Roanoke is the best season to date. And here’s why.Image result for roanoke AHS audrey gif

Firstly, the producers have made it obvious from the start that this season was going to be full of twists and even had us guessing months before episode one transmitted, as creators refused to reveal the theme. Even after episode one it was still unclear. The shift in format to a documentary-style narrative was interesting but writers were wise to end it mid-series and give us another twist – Return to Roanoke. The idea to continue the reality theme and give us a bloody Big Brother – mixing classic horror with the modern obsession with reality – was brilliant and it was good to see AHS favourites such as Sarah Paulson, Evan Peters and Angela Basset have some fun with their characters (multiple characters in this season’s case). For me though, the star of this season is Kathy Bates. You can’t help but feel for Agnes at some points during the season (especially episode six. N’awww) but it’s when that familiar murderous look flashes across her eyes and she starts going cray-cray with an axe that she really shines. (‘I am the tree and lightning that strikes it’.)

The whole season has just been so cleverly written and performed. Even Bates’quirky celtic accent turned out to be intentionally so after we met the desperate, obsessive actress behind the Butcher. The pivotal episode six had some great TV moments. It took the concepts of the first five episodes and rejuvenated them, twisting the season completely on its head. The writers explored every reality TV feature – distant action, confession booths and even characters eating cereal during dramatic arguments. It also seemed to poke fun at actors, with luvvy Audrey bragging about her Saturn nomination and Agnes proclaiming passionately that ‘there are only two great roles in the American canon. Mary Tyrone in Long Day’s Journey….and…..the Butcher’.

The comedy in this series has also been excellently and subtly done, coming mostly from the ‘actors’ from the re-enactment. Audrey and Rory’s overly-sickening wedding video is a stand-out moment, as well as Audrey taking the time to wallow in self-indulgence when she finds Shelby’s body. (‘Oh, God! I feel like part of me has died with her!’)

AHS also has plenty of treats for its fans. In recent seasons we’ve been treated to re-appearances of popular characters (such as Queenie, Marcy and Pepper) and next week sees the return of Lana Winters. It’ll be interesting to see how Lana interacts with series survivor Lee and whether all the answers to this season’s big questions will be wrapped up. I’m sure we’ll get a few unexpected twists and Sarah Paulson will continue to be fantastic as she steps back into Lana Banana’s shoes.

Roanoke has raced along with all the speed of three teens being chased through the woods by a pig man, but the shorter, streamlined season and the fresh new format has only left us itching for more. Cosy Friday nights won’t be the same without showers of teeth, forest dwelling cannibals and murderous nurses.

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Short post this week as I’m on a roll and determined to spend as much time as possible on the five year project!

So, in the last couple of weeks major developments have happened. The first episode is almost complete. Which, considering this has been five years coming, is a major step for me! I had a bit of an inspiration burst over Easter and began changing my plans for the pilot. One thing led to another and here I am, close to a full first draft of ep. 1. I’m so excited!

I decided to give my planning the ‘Reset treatment’. Whilst I was writing Reset, I stuck a huge piece of paper to the wall and covered it in post-its – each representing a chapter – which details key points in the plot. I was able to mix these around and throw some away and add new ones as well as get an overall view of where my story is going. It also served as a constant reminder (because it was huge!) that I needed to be working. So, when I sat down at my laptop I realised I needed some visual prompts. I took a piece of paper and sketched out an episode map which showed each characters journey throughout the eight episodes. Having this in front of me has been a great help.

Another planning device I used with Reset was to create a scrapbook of images – whether that be actors who would play characters, key props or pictures of potential settings. So over Easter I created the Big Red File. I split the file into sections, one for each main or recurring character. Each section starts with a collage of images of actors who could play that character, then on the reverse I have the random facts page. The random facts page is a working document which I plan on adding to as I go along. This page has the character’s key information (e.g., full name, DOB, family, etc) as well as any other facts (Such as stories from their childhood or guilty pleasures). The big red file is going to be my bible.

Something which I also found handy when I wrote After Caitlyn was to create a playlist of songs. I’ve not reached that stage yet, but I have jotted down a few songs which could feature.

Getting creative with my planning has definitely spurred the project on and rejuvenated my enthusiasm. It’s like looking at the story with a fresh pair of eyes. I can see what works and what doesn’t, and I’m able to make tweaks and changes, which leaves me very excited! I’d be interested to hear of any other techniques writers use to immerse themselves into their stories and develop their writing.

In the meantime, I’m pressing on with Ep. 1 and my next step is to give it a proper name, as five year project is getting a bit naff.

With last week’s sad news about the brilliant Victoria Wood, I wanted to share my top five Wood moments. Writer, actress and stand-up comic – her talent was endless and she’s a huge loss to the entertainment world.

Number 5 – Dolly thinks she’s accidentally taken Viagra.

I loved Dinnerladies when I was growing up. I would sneakily stay awake and watch it quietly in my room. I loved the relationships between the characters and, although I was only around ten at the time, I would grow up to recognise those characters in everyday life. Victoria had a skill for creating characters that were so rounded and real. One stand-out moment – and there were almost too many to choose from – is from ‘Christine’ when Dolly thinks she has accidentally taken Viagra after picking up the wrong mug of tea, resulting in a hilarious, warbling, anxiety-ridden tirade from Dolly. I have had the pleasure of knowing a real-life Dolly and I always chuckle to myself and think of her during this scene.

‘What will it do to a woman? Where will it go? What will happen when it gets down there and finds there’s nothing to pump up! It’ll be like a range rover going top speed into a cul-de-sac!’

Brilliant performance from Thelma Barlow, and brilliant writing from Victoria.

Number 4 – ‘I might have to smash your face in with a tin of beans.’

Again, from the episode ‘Christine’, this deadpan delivery from Bren stands for Wood’s talent as an actress as well as a writer. In Bren, she has created a character who we can all empathise with. She’s witty and kind but not without her faults. Bren is down to earth. Everyone knows a Bren. She mixes up words and slips in ‘do-dahs’ and ‘thingmajigs’ like so many people I know (including myself). Bren is continuously thoughtful towards others, even those we who don’t deserve it, like her mother, who constantly takes advantage of her. Bren is the hub of the canteen and an underated comedy character.

Tony: So you’re not pregnant then.

Bren: Not unless sperm can get through a sash window.

Number 3 – The Large Woman in a Cake Shop

I chose Victoria Wood: At it again to study as part of my A Level English Language course. I had to watch the DVD over and over again and write a transcript of it. It was hilarious and even though I had to watch it so many times it never got old and I still laugh about it today. I still think about the following gag whenever I go into a cake shop.

If you’re big in this country, eating is a very shameful thing. You can’t imagine this scenario in England: Big woman goes into a cake shop and says ‘I would like a cake please. It is for me. I am going to eat it myself.’ It couldn’t happen, could it? She would have to go in and say ‘Erm…can I have a cake please? Erm…a woman has collapsed two streets away and, erm, I think it’s a diabetic coma. On the other hand it could be head injuries, in which case, I’ll eat it myself.’

Number 2 – Two Soups

I don’t need to say much about this one. It’s just brilliant. Written by Wood but with cracking performances. Enjoy.

Number 1 – The Ballad of Barry and Freda

Z and I were only singing this last week. Fantastic lyrics and a very catchy tune. Be prepared to have this stuck in your head for the rest of the week. Have a listen, it’s a treat!

It’s amazing how much Victoria has contributed to the entertainment world. She has made me laugh so many times and will always be one of my comedy heroes.

 

It’s no secret – I bloody love EastEnders. I could quite happily write a full thesis on my love for this programme, but I will try to condense it to a few hundred words.

Murder, deceit, cockneys. What’s not to love?

My love for EE goes way back. I remember crying as a child when Tiffany died outside the Vic, watching in horror as Dennis was stabbed and the goosebumps as Danielle died in Ronnie’s arms. (Am I showing my morbid side? It’s not just about the deaths….honest.)

I can understand these characters. I don’t know what it is but I find them so real and relatable. Far more than any other soap. (In fact, I only watch EE.) For me, this is the programme that delivers the hard hitting, true to life stories. The stories that get people talking in work, on the street and across all media platforms. It’s true, a few years ago the Square took a bit of a dive and lost its direction. I’m proud to say I stuck with it through these dark times and in the autumn of 2013 things began to pay off. I think the clouds first parted when Queen Ronnie stepped out of the nick. For me, that was the moment EastEnders got it’s groove back.

Of course, it was all down to Dominic Treadwell Collins taking over the helm. DTC has done an amazing job. His passion for the show fizzes through the screen. It’s in the writing….the performances….the whole look of the show! He’s given us bold stories such as Patrick’s stroke, Cora’s homelessness, Jonny Carter’s coming out storyline, Linda’s rape and Sharon and Phil’s wedding shoot-out. Not to mention the juggernaut that is the Murder of Lucy Beale. DTC is a genius, bringing new life to characters and bringing the Square’s history back to the forefront of the show. The character of Jane Beale, for example, wandered mindlessly around the Square for years before she finally departed, having seemingly run out of steam. With the Lucy Beale storyline, DTC has given Jane a new lease of life, as well as providing Laurie Brett the chance to flex those acting muscles. Laurie isn’t the only one. Each cast member has had their chance to shine. There are no favourites. They all have their moments. Another act of brilliance from DTC.

Easties also introduced something special which has given the show a new edge – the surprise return. I was totally bowled over when Jane made a surprise appearance two years ago. Since then we’ve had many a shock come back (Honey, Anthony, Rainie and, more recently, Lucas!). These returns aren’t sensationalised and gratuitous. It’s always the right time for the character to appear – DTC knows what he’s doing. We couldn’t discuss comebacks without talking about the mother of all returns – Kathy Beale. DTC certainly wins the Biggest Balls award for bringing back a legendary character that had been ‘dead’ for years. Things could have easily gone wrong and, although Kathy has seemed to settle back into the Square rather quickly, her return was believable and handled with care.

It’s not just the returns that DTC is good at. He’s also introduced some potentially legendary characters. I should start with the Carters, who have been a breath of fresh air in the Queen Vic. The Square needed a solid family unit and Mick and Linda are the perfect pair to run our favourite fictional public house. My favourite Carter has to be Aunt Babe. Cuddly and harmless on the outside, manipulative and cruel on the inside. Fantastic. I’ve been pretty vocal about my love for the Cokers (long may they stay) but I also think Vincent, Claudette, Kush and Carmel have made wonderfully interesting additions to the cast.

The writing supersedes any other soap. It’s real. You can tell from the Live Week episodes that the writers work tirelessly to produce top quality scripts. They know the characters inside out and they believe in what they are writing. If I could capture a fraction of that in my own writing, I’d be very happy.

For me, it’s not just about the big stories. EastEnders constantly delivers heartfelt, poignant moments – from Christine’s introduction to FatBoy’s tragic demise. What makes the show truly enjoyable to watch is that it’s clear everyone involved loves being a part of it. Producers, writers, actors, crew….they all care about the Square!

Just as the excitement of Christmas and New Year has died down (on par with New Year’s Day 2015 – I am still in shock over that car crash), we’ve been dealt an emotional week that’s included Stacey teetering on the Queen Vic roof, Kat finding out she has a secret son and a tearful goodbye to Charlie Slater.. (Can we all just applaud Derek Martin, please?)

So, yes. My love for Easties is strong and DTC certainly has a spot reserved on my Shelf of Writing Heroes. Based on this week alone, I think 2016 will be a fantastic year for the Square, and I will certainly be watching. Always.

 

 29TH November 7.30am.

My alarm goes off. Fuzzy from the wine the night before, I burrow deeper into my cocoon of blankets and try to think whether it’s a week day and if I have to get up for school. (FYI, I don’t drink on school nights. Thought I’d better clear that one up).Then I realise – it’s Comic Con day! Suddenly enthused, I’m up, showered and dressed within half an hour.

I have loved Wales Comic Con since my first visit in 2013. This event has something to offer for everyone and we always consider ourselves so lucky that we have something like this so close to home. The entry queue is always enormous – a testimony to just how popular it is – but, weather permitting, the queue is one of the best parts. The buzz as the people begin to arrive is amazing and it’s great to see so many people putting in so much effort to cosplay. This is an event that people really care about. Each year we comment on what a lovely atmosphere the whole event has. There’s never any trouble, everyone is friendly and there to have a good time. People chat to each other in the queue as if they go back years. It’s a refreshing change and a great opportunity to meet some amazing people as well as try to spot Doughnut Guy (selling…not ‘dressed as’) as he mixes with the crowd, selling refreshments and cracking jokes. (OK. This might not be for everyone but it has become a bit of a tradition for us. Doughnut Guy is becoming just as much of a legend as the folks signing autographs….)

Once you’re inside the Con, that’s when things get even more exciting. The main hall is geek-central (doesn’t that sound like the best place?) with stalls and stars galore. The stalls this year were fantastic, as wi12313851_10156337727425381_3106644287043449912_nth every year, offering everything from homemade geeky trinkets (check out my Fourth Doctor Dragon courtesy of Goblin Dreams) to the most fantastic (and under-priced) fudge I’ve had in a long time.  If you’re after something quirky and interesting then this is the place to find it. There are also tons of comics, books, prints and memorabilia to buy – it’s dangerous time to have it so close to Christmas!

Now, I’m a Torchwood fan and the past few WCC’s have given me the chance to talk to (A.K.A., stand awkwardly in front of person whilst staring at the floor and muttering ‘hello’ like some sort of lunatic) the cast. Eve Myles, Naoko Mori and Gareth David Lloyd have all had the pleasure of seeing my most star-struck facial expression. (There was also an embarrassing incident with Shane Richie which I can never repeat. Ever.) Each one of them has been absolutely lovely and completely down to earth. I’m so used to seeing Gareth (first name terms there) now that he was stood right next to me yesterday and I didn’t turn into a gawping, stuttering mess. The teenage-me would never have thought I’d be so calm about standing next to Ianto Jones. Further proof that Comic Con is amazing.

Finally there’s the Q&A sessions. In the past we’ve only visited the Torchwood Q&A which never fails to be totally hilarious as well as totally X-rated. Yesterday was no exception with Gareth, Naoko and Kai Owen answering questions on everything from the best kisser to Ianto’s shrine. We also got chance to see the first WCC Doctor Who panel featuring Sylvester McCoy, Colin Baker and Terry Molloy. Watching them discuss google glass was like watching your grandads discuss technology and it was interesting to hear their thoughts on the new series (12 year old Doctors, CGI, Jennifer Lawrence and sonic sunglasses featuring heavily).

In recent years, WCC has become a bi-annual event, which is bloody brilliant as it means we don’t have to wait as long until the next one. I would recommend this event to anyone. It’s a fun-filled day run by people who genuinely care about your experience and, again, it’s incredible that we have something like this in Wrexham.

5.30pm

As the kettle boils, I look out of the window and spot a bunch of cosplayers heading from the direction of the Uni. They are huddled together against the rain but still have excited grins across their faces. The weather hasn’t ruined their fun. I admire my new dragon which is perched on the top of my bookcase. He’s looking pretty cool. As I settle down with a mug of tea, I look forward to April, when I can buy him some little friends.

 

jenna-coleman-clara-oswald-doctor-who-replacement

This weekend Clara Oswald faced the raven and bid a tearful farewell to the TARDIS. After months of speculation, Clara met a surprising end after risking her life in a fashion only the Doctor could survive.

In this house, a tear was shed when Clara realised the repercussions of her actions and bravely accepted her fate. Although, in my opinion, nothing will top the traumatic departure of Donna Noble (‘Binary binary binary’ *gasps*), Clara’s farewell did seem fitting for her character. Some might argue it was a demure, I would say it was chillingly humble, given the peril Clara has faced in the past. It just highlights how dangerous travelling with the Doctor can be and the vulnerability of his human companions.

Clara growing more Doctor-like has been a theme of this series and the foreshadowing of previous episodes certainly paid off. Over the last few weeks I have found myself cringing each time Clara has almost over stepped the mark and grown more and more reckless. That raven had her number from the start of this series and sooner or later it was going to catch her.

Clara has become the longest serving companion (since 2005) and she’s been part of many classic Who memories. Her first introduction in Asylum of the Daleks was brilliant! What an introduction. It was one of those surprise jump-out-of-your-seat moments that Doctor Who does so well. Clara (or rather…sort of…Oswin) was instantly likeable and the twist at the end was another memorable moment. Then we jumped to Clara running round the streets of Victorian London at Christmas, which was lots of fun, capped with another surprise twist…as Clara died. Again. Another great moment was the flash forward to modern day at the end of the episode, with the real (at last) Clara finally being revealed. Goosebumps.

There were some dodgy times in Clara’s pre-50th stint but one of her defining moments came in the cold open of The Name of the Doctor. Another amazing Who moment. That opening sequence was able to produce more squeaks of excitement than a whole episode and the idea of Clara being spliced through the Doctor’s time stream in order to save him was a remarkable move my Moffat. Clara was suddenly incredibly important.

Jenna Coleman had excellent chemistry with Matt Smith and I was worried about how Clara would work with Capaldi’s Doctor. Jenna and Peter have worked beautifully though and the way Clara has slowly moved from being the Doctor’s apprentice to carer to equal has been great to watch.

It’s also worth mentioning Clara’s tragic romance with Danny Pink. When Pink died, Clara was bereft and after initially severing herself from the Doctor’s life through her own grief, she was tempted back into the TARDIS this year. It was clear that Danny’s death had changed Clara. After initially being morose, she became intent on living her life to the full, even if it did mean throwing herself into dangerous situations.

It was this attitude that caused her downfall. The moment in Face the Raven when Clara recklessly dangled above London, laughing as she clasped to the TARDIS doors made me feel genuinely nauseous. Clara was heading for trouble. Confidently taking it upon herself to save poor Rigsy, without reading the small print, was an admirable but costly move for Clara. That finally conversation with the Doctor will be remembered for a very long time and it was a smart move for the writers to make the Doctor promise Clara he wouldn’t seek revenge. That was certainly a very Clara thing to do and reminded us just how much she knew the Doctor (‘You’re going to be alone now….and that’s not good for you…’ *sniff*).

Played perfectly by Jenna Coleman, Clara Oswald has made Who history for many reasons, and has given us some incredible moments that will never be forgotten.

Goodbye to The Impossible Girl.

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