Tag Archive: Sci-fi


Well I think we can all agree that this week’s episode of Doctor Who was terrifiying. Set on a troubled space station, Oxygen saw the Doctor, Bill and Nardole arrive to answer a distress signal. As if dealing with the space-zombies (dead astronauts being carried around by their smart-suit) wasn’t enough, they also had to deal with the lack of oxygen. Stressful stuff.

It feels like the Doctor has been travelling to increasingly darker territories since the show’s return in 2005. We’ve had everything from face-consuming gas masks to shadows that will eat you alive but it seems the show is still finding new ways to make us shudder.

Whilst Russel T Davies injected fresh new life into Doctor Who, it’s been Steven Moffatt who is responsible for giving it that chilling streak. Since the beginning of his reign we’ve had the Weeping Angels (terrifying!), Dream Crabs (bloody terrifying!) and the Silence (Oh good God, I’d forgotten about those!) – all suitably creepy enough to give us nightmares. But is this what Doctor Who is about? There’s plenty of criticism online that recent series’ have been too dark and scary for children and there’s lots of people who would like to see it return to its warmer, family-friendly roots.

Take Oxygen. I have to admit, I was freaked. The imagery of the dead astronauts stomping around the space station was effectively eerie, an image I can’t imagine many children will be forgetting in a hurry. But, to me, that’s what it’s all about. Yes, I like watching the Doctor travelling to different planets and having banter with his companions but I also like it when it scares me. When I’m still thinking about it as I go to bed. The Doctor lives a dangerous life and it does the audience good to be reminded of that. It’s not all Oods and Robin Hood. One of the most powerful sequences in this episode was the moment Bill is exposed to the vacuum of space. The peril felt real, aided by a great performance from Pearl Mackie. Bill’s genuine fear throughout the episode came across really well, adding to that feeling of unease as you watch from behind your cushion. Then, ofcourse, the suckerpunch of episode came as the Doctor paid a price for his adventures and lost his sight. Grim stuff.

It’s not just the monsters. We’ve been hit with a different kind of scary several times in recent series as the show has proved it can do psychological terror pretty well too. For example, the words ‘Don’t cremate me’ are enough to give you goose bumps. Doctor Who is able to show us just how awful our own world can be, because anything is possible in the Whoniverse, even the most horrendous of situations.

But should Doctor Who tone down the fear factor? Of course not! Classic Who is remembered most for being terrifying (if a little shoddy on the special effects) so NuWho is simply bringing that thread into 2017. It’s a rare breed of show that has a license to do whatever it wants, so it should always be finding new ways to scare us. The best episodes are the ones we’re stilling thinking about and shuddering days later. Doctor Who should always have the ability to send us diving behind the sofa.

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The new trailer for series 10 has landed and I couldn’t be more excited. It’s been a while since the Doctor was on our screens (except for the Christmas special) and I’d forgotten just how much I love this programme. With the latest hype over the new series and a new Doctor on the way, it’s all change, and my excitement has been regenerated. I’ve spent Sunday watching some of my favourite episodes (be warned – NuWho only.  I only started watching in 2005. Sorry!) and I couldn’t resist revisiting some of the most gasp-inducing moments! I cannot believe I’ve only ever blogged about Doctor Who once – ridiculous! Allow me to rectify that.

(Oh and I’ve split this blog into two parts. Partly because it’s massive but also just to be uber-annoying. Enjoy!)

Number 15 – Daleks! Bad Wolf, Series 1.

We’d already seen one Dalek in NuWho and, perhaps I was naïve to think we wouldn’t see them again for a while. Just as we were recovering from Rose being murdered on live television, we were even more shocked to discover she is alive, but being held in a Dalek fleet ship. The cries of ‘Exterminate’ were genuinely terrifying. This episode also revealed the story arc of Bad Wolf. I remember being totally blown away to discover the messages Rose had left the Doctor throughout the series and had to re-watch immediately to spot them all over again. I think this is when I really began to admire RTD’s work….

Number 14 – The Doctor is killed, The Impossible Astronaut, Series Image result for the impossible astronaut gif6.

There was something about this series that felt very different from the start. We knew one character was going to bite the dust but we didn’t realise it would be The Doctor, who was murdered at the side of Lake Silencio. Watching him get shot in the distance as Amy, River and Rory react in horror was very grim and a moment that haunted us for the rest of the series. (Note: The clever resolution in The Wedding of River Song should also be mentioned. Well done. Bravo. *claps*)

Number 13 – Skaro and Davros, The Magician’s Apprentice, Series 9.

Well we didn’t see this one coming. The opening story of series 9 was packed with twists and cliffhangers. Davros’ return was kept a secret until transmission, a decision which certainly paid off. The moral focus of the storyline, as the Doctor struggles with the decision to rescue or abandon the young Davros, kept us thinking throughout. The moment Skaro materialises around Missy and Clara was also a skin-tingling moment and refreshing to see other characters react in horror to a reveal, rather than the Doctor.

Number 12 – The Zygon Invasion/The Zygon Inversion, Series 9.Image result for the zygon invasion

Two of my favourite episodes to date. Subtly topical, this double bill acts as a sequel to the 50th anniversary episode and explores what happens when the 20 million Zygons hiding as humans on Earth begin to revolt. The parallels drawn between modern political issues make for a thrilling and thought provoking set of episodes and Peter Capaldi shines during a powerful speech on fairness and consequences of decisions. We also have the return of fan-favourite Osgood, who acts as a welcome source of morality in what can be a pretty grim set of episodes. Another underrated story that deserves much more praise.

Number 11 – Eleven Regenerates, The Time of the Doctor, Christmas special.

It’s a bit annoying that Eleven happens to revert back to his younger state before Image result for eleven regeneration gif amyregenerating, but that aside, another powerful moment. Murray Gold does it again with an excellent score. The riff of ‘The Long Song’ as Amy reappears to the Doctor still brings a great big lump to my throat. And then he takes off his bow tie! Who would have thought such an action would leave millions in total despair?! But, I think what really pushes your emotional buttons in this scene is the Eleventh Doctor’s last speech…

‘I will always remember when the Doctor was me.’

You can’t help think there’s a bit more Matt Smith in that speech than the character he’s playing.

Number 10 – Amy and Rory’s deaths, The Angels Take Manhattan, Series 7.

Just when you thought Amy and Rory have survived their final episode, Rory is touched by a Weeping Angel and sent back in time to live out the rest of his life. A devastated Amy sacrifices herself to be with Rory and the Doctor is left bereft. *sniff*

Number 9 – The Master Returns, Dark Water, Series 8

Trapped in the Time War way back during The End of Time, we thought we’d saw the last of The Master. So, it was quite a shock to discover Michelle Gomez’ bonkers Mary Poppins-esque Missy was in fact The Master in female form. Gomez injected new life into the character and plays Missy with devilishly mad style. Even though she’s ‘bananas’ we can’t help but love her….even if she did kill one of the Osgoods.

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‘Torchwood. Outside the government, beyond the police…’

Just when I thought nothing would top my Doctor Who obsession, everything changed in 2006.

I’d returned from a trip to London to see Wicked (I know….when obsessions collide!) when BBC3 introduced me to Torchwood. I loved it from episode one. As a 16 year old, I was able to look past the clichés and faux-adultness of the first series (something which is easier to pick up on when I re-watch as a 25 year old). For me it was fresh and brooding and totally exhilarating. Not only was it brand new, but it had the familiarity of my favourite TV programme. I loved them all – Jack, Owen, Gwen, Ianto, Susie and Tosh. Each in their own way.

Toshiko Sato was my favourite. Sensible and understated, she was a complete contrast to the rest of the team. Unlike Gwen, Jack and Owen, she wasn’t brash and bold. Toshiko was modest and quietly calculating. Toshiko was often the one to come up with a conclusion without getting the recognition within the team that she deserved. She was wonderfully flawed, with her insecurities and moral deviations explored in Greeks Bearing Gifts. Naoko Mori had created a classic character for me. I thought she was brilliant and quietly (and sometimes noisily) cheered every time Toshiko delivered a stinging one liner.

The second series saw a spikier Toshiko. She’d clearly had enough of Jack’s swaggering charm as Toshiko got ballsy – airing her disagreement with Jack many times. It also brought some of my favourite Toshiko moments. From subtle comedy (‘All. Telephone lines. Are. Down!’) to high emotion (Walking through the bay at the end of To the Last Man. *wipes tear*). Naoko certainly flexes her acting muscles in this series. I will never…NEVER…get over Exit Wounds. The fact Naoko did that scene in one take just proves her ability and what an asset she was to the series, and of course, Toshiko left doing what she does best; saving the world. Toshiko doesn’t do this with dazzling flare or swaggering arrogance. She does it quietly without any expectation of credit. She’s just doing her job. I need to go away and weep about this for a moment…. 

So anyway, having been such a Tosh-fan for so long, you can imagine my excitement when Naoko was announced as a guest at Wales Comic Con. I never miss WCC but this year I had no excuse – I had to be there. I’d already met Gareth David Lloyd and embarrassed myself in front of Eve Myles (and Shane Richie….but that’s another story) and this year I was given a fresh Torchwood member to meet. And by ‘meet’ I obviously mean ‘stare at with a terrified expression on my face as my best friend tries to force me to make cringey small talk’. It was Naoko Mori’s turn to get the full starstruck-me experience. What a lucky lady. The excitement I had harboured for weeks dissipated as I entered the main hall and turned to an anxious, stomach twisting panic. I could see her through the crowd, no queue at her desk. A normal person would have seized the opportunity and rushed straight over. Not me. I circled the room several times, building up the courage to go and speak to Naoko. Eventually my friend encouraged/bullied me to bite the bullet. Naoko was, of course, lovely and I had no reason to be such a mumbling idiot. She shook my hand (she touched my hand! That means we’re engaged, right?) and even rubbed my hand through her hair to prove she was ‘just normal’ (and obviously the photos look like I’m awkwardly trying to slam her head into the table. Classic.) The Q&A with Naoko and Eve Myles was hilarious. Like, actually cheek-hurting hilarious. I bet they had lots of fun making Torchwood.

So anyway, now that I’ve confessed my love for a fictional character (again) and her non-fictional actor, I suppose what I’m really trying to say is:

Torchwood writers, stop messing about.  Just bring it back.  You know it makes sense. You’d make a lot of people happy. Oh…and, even though it had its perks, we’re all willing to forget Miracle Day if you just bring back Tosh, Owen and Ianto. Just bring them back, no questions asked. It’s fine. We will forgive the lack of plausible explanation just for the chance to have another series with the full team. We miss them.

Oh and Naoko, call me.