Category: Writing


Oh. My. God.

48hours left.

Months of planning and prepping and rehearsing have led us to this week. We’ve spent today on a last minute hunt for props and costumes before having our final rehearsal.

Everything is as ready as it will ever be. A tree has been erected in the dinner hall and the PE cupboard is now home to Excalibur.

With just one full day left before the performance, the children are far more relaxed than the staff (which is how it should be!). Although today’s performance was not quite as energy-fuelled as other rehearsals, the children have worked hard to put this production together and I’m sure they’ll dazzle for the school and their parents on Wednesday.

Strangely, for me, an odd calmness settled over me today. I’ve got faith in the children to pull it off but it’s also oddly comforting to know that I only have to days left to worry about anything performing arts related! Bring on the show!

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A few weeks ago I had a burst of inspiration. I was adding to old material and creating new work for what felt like a whole week solid. It was just pouring out of me and I couldn’t (and didn’t want to) stop it. The last few weeks that wave of creativity has truly crashed and become a pathetic dribble of vague ideas, all due to that frustrating mess of distractions – life. In the past, when I’m struggling, I find I can take inspiration from music. I’ve said before that music is a large part of my life and, aside from the stuff I might sing along to in my car, I’ve got a bank of music I turn to if I want to jump-start a story in my head. Below are five of, what I think, are the most inspirational musicians for writing (as well as providing dramatic soundtracks for your day….or am I the only one who does that?)

Murray Gold – I’m a Doctor Who fan and Murray Gold’s soundtrack comes with a whole TARDIS full of inspiration. Tracks such as ‘The Master Tape’, ‘The Majestic Tale of the Madman with a Box’ and ‘The Rueful Fate of Donna Noble’ are awesome kick-starters for a dramatic showdown or fully-charged finale. A lot of Reset was written with Murray Gold’s series 4 soundtrack blasting in the background, particularly tracks from latter episodes. Not only has he composed some deliciously dramatic pieces, but his tracks, such as ‘The Dream of a Normal Death’, ‘Goodbye Pond’ and ‘The Long Song’ can also be beautifully poignant. I’ve used Murray Gold’s music to inspire my own work but I’ve also played it many times in the classroom to inspire creative writing (and the children always love it). It’s also worth noting that Gold has composed some wonderful incidental pieces for Torchwood, such as ‘Death of Toshiko’ which always makes me a bit damp around the eyes.

Scala & the Kolacny Brothers – I first heard their take on U2’s ‘With or Without You’ some years ago on an advert for Downton Abbey. It was such a haunting piece of music that I had to find out more, and I’ve since added their versions of ‘Use Somebody’, ‘Heroes’ and ‘Every breath you take’ to my writing playlist. Nothing quite tops ‘With or Without You’ when it comes to sending shivers up your arms, though.

Michael GiacchinoLost was one of my favourite TV shows and, apart from the bonkers characters and quirky mysteries, I loved it for its music. My favourite piece of incidental music from Lost is ‘Moving On’. I love how it rises and falls, from soft and gentle to a breath-taking crescendo that just makes you cry! (It’s also great for calming down rowdy Year 6s, I’ve found). Giacchino is also behind some amazing scores from films such as Up and Jurassic World.

John Williams – Speaking of Jurassic World/Park, I had to include the film’s original composer, who created that iconic theme tune (and, alright, I may have been guilty of playing it at full blast as I’ve driven around Wales). Whether you’re into dinos or not, it’s really difficult not to get excited when the music swells. Of course, Williams is also famous for the Star Wars soundtrack, which is equally as inspiring for dramatic writing.

Alan Menken – Responsible for creating some classic Disney tunes, I had to include Menken’s work. Regardless of the catchy songs, Menken’s back catalogue of instrumental scores alone is worthy of this list. From The Little Mermaid to Tangled , Menken has created many breathtaking pieces of music. One of my favourites is ‘Transformation’ from Beauty and the Beast. (Close your eyes, have a listen and feel happy!)

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So it’s back. I always forget just how much I’ve missed Doctor Who until those opening titles of a new series roll out.  Series 10 kicked off on Saturday with the introduction of a brand new companion – Bill Potts. After the initial intro clip last year I wasn’t too sure about Bill. She came across as a bit too cartoony and goofy and I could see her being very annoying very fast. However…(wait for it….rare moment coming up) I was wrong. Bill definitely made her mark in her premiere episode – showing that she was an intellectual match for the Doctor and adding a fresh new dynamic on board the TARDIS.

Bill is a new kind of companion. She sees things from a view point we’ve not had before. (She even asks the classic question in a different way – ‘Doctor what?’) She is refreshing for many reasons but mostly because of her humanity. I loved Clara, but by the end of her run if felt like she was saying the same things over and over again. The same quizzical expression. The same sarcastic comments. The same sort of cutesiness. Bill is different. Bill isn’t afraid to call the Doctor out on his faults – which of course Clara was happy to do too – but I can imagine Bill doing it with a bit less sass. She’s honest, grounded and flawed. She’s just a bit more human! The ways she’s written comes across so naturally. Perfect qualities for a classic companion. Bill also had one of the best introductions to the TARDIS, with the lights slowly booting up as the camera pans out…..only for her to liken it to a kitchen (its’ true) and a lift (also true). In her first episode she experiences heartbreak as she is forced to let Heather go. Her strength, complexity and emotional depth in these scenes are promising. It’ll be interesting to see how her story unfolds…

One thing that did stick out as odd was the re-appearance of Nardole. Nardole seems to have just…happened! Probably due to the large gap between his introduction in the 2015 Christmas special and his more recent appearance last Christmas.  Nardole just doesn’t quite seem to work yet. Still, I’m hopeful a satisfying explanation as to why the Doctor has him sticking around will be revealed as the series rumbles on. Though at the minute it does sort of feel like Moffatt is keeping him so he can kill him off in the finale (he’s promised it will be a ‘bloodbath’.)

The Pilot demonstrates one of the shows keys themes – regeneration. Doctor Who has the gift of being able to overhaul everything once things start to get a bit stale. It’s great to keep things fresh and allow a ‘stepping on’ point for new viewers….but what about old viewers? Doctor Who has gone through a lot of changes over time, particulary since it’s return in 2005, and next year will see the show have a new Executive Producer, a new Doctor, a new look and possibly a new companion. So did we really need this new revamp so soon? Sometimes the constant changing between series’ can be off putting to those who want to immerse themselves into a story they have already invested so much in. It can be a bit frustrating when the reset button keeps being pushed. Take Capaldi’s Doctor, for instance. This is only the beginning of his third series and he has transformed so much. He’s gone from grouchy and dangerous to a wise old grandfather figure. What happened to the snarling beast Moffatt promised after Matt Smith’s regeneration? I’d have liked that process to take a little longer, to have really been explored. It’s a shame this is to be Capaldi’s last series as his Doctor hasn’t really had much chance to shine.

So, overall a good opening episode but I’m hopeful for a bit less re-booting and a few more references to the show’s history in future episodes. Having pictures of River Song and Susan on the Doctor’s desk was a nice touch. The new TARDIS dynamic is going to give us some interesting moments in the lead up to Capaldi’s exit. I think it’s gonna be a good one.

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I’ve always fancied writing about living in London. I tried to do it once when I dabbled with a sequel to Reset but the whole thing fell flat because….I’ve never lived in London! How could I write about something that I don’t have a clue about? I don’t know street names, hidden locations, shortcuts. I don’t know what it’s like to wake up there every day. To have my faced pushed against a tube window during a morning commute. To dash through the rain and streetlights in the middle of the night. To sip a drink in the shadows of a bar. I don’t know what it’s like to live in London. So I couldn’t possibly write about it.

It might sound like an obvious idea but this lesson has taken me a long time to learn.

When I was growing up my projects usually focused on characters in a theatre group or at school, because that’s all I knew. I didn’t click at first, but my projects all had similar threads. Reset is based in Cardiff because I’ve spent a lot of time there over the years. After Caitlyn focuses on a toxic friendship and the repercussions it can have. Alex’s story is about the struggle to find your place in the world. The strongest threads come from my own knowledge. Naturally.

A few weeks ago something happened and the more I thought about it the more I felt the need to write it down. I started with this tiny incident which grew, and is still growing, into a full story. I’ve got a character who is becoming more and more real and situations which I think are running very natural courses because the initial basis of the story is truth.

I’m sure it goes without saying that the best writers are those who have lived through pain and truly experienced life. It’s no wonder I’ve been getting so frustrated with my ideas, feeling like they’re old news, like my imagination is drying up. I’ve used up all my stock. How can I write about different cities if I’ve never visited them? About life experiences if I’ve never experienced them?

The message is to write about what you know. And if you don’t know it, go and find it.

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You know I love EastEnders. I’ve had a run for at least four years where I haven’t missed an episode. In the days of the Lucy Beale Saga I was even known to watch episodes twice in case I’d missed anything. Bordering on pathetic, I know, but this heart only beats for one soap and that’s Easties.

However, those days of double viewings are long gone. Since the autumn, it’s hurts me to say, EastEnders has been a disappointment, with the only bit of real excitement being the soon-forgotten bus crash. Gone are the firecracker episodes of recent years (the live episode, Sharon and Phil’s wedding, all the Carter chaos, Claw-dette and the aftermath of Paul’s death to list just a few), instead we’re left with pathetic, half-arsed sighs of episodes, like the writers have actually just given up. Lazy writing, boring storylines and character personality swaps – here’s just handful of reasons I think EastEnders is going wrong!

  • Ronnie and Roxy – I’ve already written about this but still….What the HELL?! Four months later and I’m still not over it. Two of the most iconic characters played by very skilled actresses bumped off in a very (ahem) damp storyline. Ronnie and Roxy deserved so much more than a hastily written exit clearly fashioned to grab cheap ratings. Please, EastEnders, let it all be a dream and just bring them back!
  • Mass Character Culling – it’s not just R&R who have been victims of an over-hasty axing. It seems to be the strongest characters who have left suddenly over the past few months. First, Pam and Les, a couple representing everyday folk, suddenly shoved in a taxi and sent off to Worthing. Then there was Claudette, a fiery matriarch with so many secrets yet to be uncovered. She had one hissy fit with Patrick and disappeared into the night. And don’t even get me started on Babe, who gave her finest performance yet in her last episodes. (I think I’m going to start cursing people too). That’s before we even mention Lee and Belinda! Jeez, Easties, get a grip!
  • Boring newbies – I’m talking about the teens. Stereotypical and dull. Teenagers don’t talk like that. It makes me cringe every time. Stop it, EastEnders. Stop it now.
  • Pointless returns – I am all for a return, especially if it’s an unusual one, such as Yolande or Derek, but what I don’t like is characters who are brought back for no reason. Yolande hovered about for a couple of minutes before disappearing back into the ether. WTF. In previous years we’ve had some fantastic surprise returns (remember Anthony when Patrick had a stroke? Rainie Cross revealing a secret bunk up with Ian? Morgan and Tiff for Whitney’s wedding? Not to mention Kathy. KATHY!) all of which have had a purpose and been really effective
  • Dull storylines – One word. Bins. Need I say anymore?
  • Mick and Whitney – The whole ‘will they, won’t they’ thing with Whit and Mick has been ridiculous. We all know Mick would never cheat on Linda, they’re the most solid couple on square. Stop trying to force this one on us, scriptwriters, it’s not working.
  • Ben and Johnny – Oh I could write a whole post about this one! Ben and Johnny have been mates for years, barely a hint at romance. In fact, years ago, when Johnny had a different face, he rejected Ben and that has sort of been the basis of their friendship since. Until last week when all the other characters suddenly and fleetingly decided they were ‘meant for each other’ (and kept repeating it throughout the episode just to really shove it down our throats). Of course, by the end of the episode they were in bed together. Because, of course, gay men can’t be friends, they always end up shagging their mates. *massive eye roll*
  • Pointless, slapdash storylines – the bus crash – no aftermath. Ronnie and Roxy’s deaths – pitiful aftermath. Johnny and Ben sleep together – agree to be friends again at the beginning of the next episode. Denise’s mum casually reveals she was adopted as she’s getting in a car to leave – barely mentioned again. On times it feels like the story threads have been planned by a hyper-active cocker spaniel. There such a lack of direction or continuity that it makes you think this new producer hates the show and is sabotaging it from the inside….
  • Michelle – It was very brave of producers to recast Michelle, and to an extent it has worked. It’s been good to see the Fowlers branch out a bit and perhaps, if a return of Vicky or Mark Junior was in the works, Michelle might stand a bit more chance of succeeding. So far her constant moaning and references to ‘the way mum use to’ do things is getting on my nerves. Though I must admit her special episode with Sharon was fabulous, full of witty, emotive dialogue. My advice – get rid of Preston, stick her with Sharon and bring in some of her kids. Oh, and let her carry on teaching.
  • Dreadful writing – I remember the days when the writing used to fizz and pop. With the exception of a handful of episodes, the writing this year has been pretty bland. Being able to guess what a character is going to say word for word is not a sign of good writing, and that seems to be happening a lot. We’re suddenly being subjected to a barrage of stock-phrases (‘poor kid’, ‘who does something like that?’, ‘Is this some kind of sick joke?’ *shudders*). Another hint that the writers have just given up.

There was a time when, if you’d have said I’d be writing such a negative blog about my beloved EastEnders, I’d have told you to sling yer ‘ook and get outta ma pub. I’ve tried so hard over the last few months to ignore the building negativity but I just can’t handle it anymore! This week has been billed as ‘explosive’ with the reveal of Michelle and Preston’s forbidden relationship and a rumoured disaster. I’m pinning all my hopes on it living up to the hype, with some powerful performances and possibly some surprises in store, because if it’s another disappointment, I might be giving Easties the duff duffs.

My countdown continues! Below are my top eight most WTF moments in NuWho. Allonsy!

Number 8 – Oswin Oswald, Asylum of the Daleks, Series 7.

We kneImage result for Oswin Oswald gifw Jenna Coleman was the new companion but didn’t expect her to pop up alongside Amy and Rory in Asylum of the Daleks. OK, she wasn’t playing Clara Oswald but Oswin Oswald, who turned out to be a version of Clara….confused? Well this brings me on to…..

 

Number 7 – Clara’s secret finally revealed, The Name of the Doctor, series 7.

We’d been guessing for months as to who on Earth Clara Oswald was and The Name of the Doctor finally revealed her true identity which was…..Clara Oswald. Not some sinister force sent to destroy the Doctor or a forgotten Timelord, as some speculated, but an ordinary Earth girl. At the end of the episode she rescues the Doctor by stepping into his timeline, scattering herself across his many lives, thus explaining why she kept popping up in previous episodes. Clever! The cold-open of this episode is gasp-inducing enough with the many references to the Doctor’s past faces, but, just to push any fan over the edge, we’re then hit with the arrival of the War Doctor played by John Hurt! Boom! Fangasms all round.

Number 6 – ‘I don’t want to go’, The End of Time, Part 2

The death toll was ringing for the Tenth Doctor for what seemed like years, but on New Year’s Day 2010 the mystic Ood in the snow finally sent him to his maker. After visiting several of his favourite companions, the Tenth Doctor stumbled into the TARDIS and began to regenerate, delivering one final heart-breaking line. As with many of the Doctor’s best moments, this was made extra-special by Murray Gold’s incredible soundtrack.

Number 5 – Rose’s death, Doomsday, Series 2.

‘This is the story of how I died.’Image result for rose tyler bad wolf bay gif

Drama queen Rose sets the story off to a happy start, leaving viewers on the edge of their seats, knowing this was Billie Piper’s last episode (or so we thought). The battle of Canary Wharf with Torchwood, Daleks and Cybermen, ensured the second series ended with a bang, but the WTF moment came as Rose was sucked closer to the void opening, only to be rescued at the very last minute by her fake-Dad from a parallel universe. Sealed in Other Earth, Rose gets one last chance to say goodbye to the Doctor in Bad Wolf Bay. No one needs reminding of that beach scene. *sniff* but the Whoniverse did do a great big sigh of relief as Rose survived in another world, but technically dead in this one.

Number 4 – ‘You Are Not Alone’, Gridlock, Series 3. 

Gridlock is an underrated episode. A simple idea – The Doctor and Martha visit New Earth only to find the majority of New New York’s citizens are trapped on an underground motorway and have been for many years. It’s in this episode that the Doctor starts to reveal his past to Martha, explaining how the rest of his species were killed and he is now the last of his kind. Most of the action takes place within various vehicles, but key themes of belief and hope are powerfully conveyed. The scene where drivers take part in the ‘daily contemplation’ is very moving. It all ends with the Doctor over-riding the motorway system, freeing everyone who is trapped and allowing them to rebuild the city. He’s helped by the Face of Boe, who shares his final secret with him before he dies – ‘You Are Not Alone’. Enigmatic, right?

Number 3 – The 50th Anniversary, The Day of the Doctor, Special episode.

Months of teasers and guesswork led to this massive episode. Event television at its finest. The Day of the Doctor had lots of references to the history of the show, as well as setting up the return of Gallifrey for future episodes. Long awaited shots of the time war were spectacular and the returns of David Tennant, Billie Piper, Jemma Redgrave, Tom Baker and the Zygons satisfied viewers around the world. Throw in a secret Doctor (played to perfection by John Hurt) and an impossible choice and you have an emotionally charged celebratory episode. (Note: We also get introduced to Osgood in this episode and she is several kinds of awesomeness.)

Number 2 – Melody Pond, A Good Man Goes to War, Series 6.Image result for a good man goes to war gif

Mid-season cliffhanger alert! Professor River Song’s (AKA The Doctor’s wife) identity was finally revealed during this episode. Showing up just as the Doctor has lost the battle of demon’s run, with Amy and Rory’s new baby, Melody, being kidnapped by the genuinely terrifying Madam Kovarian, River tries to console the grieving parents. Taking a prayer leaf embroidered with Melody’s name, River explains that the name (Melody Pond…with me?) translates as River Song. Thus revealing that through timey-wimey madness she is Amy and Rory’s daughter. Despite looking fifteen years older than them.

Number 1 – Everything, Turn Left/The Stolen Earth/Journey’s End, Series 4.

Nothing can top these three episodes. This was Doctor Who at its peak, for me. The end of RTD’s era saw a culmination of plot threats and great big mega-fan-wanky (his words, not mine) finale. Turn Left was a masterpiece, re-visiting events from the last few series from the perspective of Donna Noble (in my opinion, the best companion). We also got a glimpse of the dystopic nightmare world that exists without the Doctor. (Mass-death, concentration camps, segregation…not exactly a light and fluffy episode!) The final few moments where Donna reveals she’s met Rose Tyler (‘She said….two words….Bad Wolf’) still gives me shivers and then there’s the trailer for the next episode! I don’t think I’ve ever fangirled so much over a trailer. Flashes of all the favourite characters from past seasons and spin-off shows (Torchwood and The Sarah Jane Adventures) as well as a Red Dalek! Harriet Jones! Captain Jack! K9! All in one episode?! Christ, I was so excited. I’ve watched The Stolen/Earth and Journey’s End so many times I can almost quote it off by heart. The way all the characters play a part and threads are brought together so neatly is fantastic and a masterclass in storytelling. And then there’s that regeneration shocker! Catherine Tate is also at her peak in these episodes, proving Donna Noble is totally kick ass. By the end, you’ll be in tears.  Whether it’s at the Earth being saved (with that wonderful music), Donna Noble leaving the TARDIS in heart-breaking fashion, or just because you’re so bloody happy that everyone is together!

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Half term. I’m sat in the window of my apartment at a newly created workstation strategically placed so I can look out over the busy road, the commuters bustling through the train station and those handsome Welsh mountains in the background. I’ve been meaning to set this spot up since I moved in almost 15 months ago but only now have I managed to take action.

The last half term, in October, was a bit of disaster. I don’t have a good track record when it comes to half terms. Christmas, Easter, the Summer – they’re all great, but it’s these week long holidays in between that I can’t seem to handle properly. I always end up with cancelled plans or no plans at all. I just can’t do half terms! This was one, however, was going to be different.

For a few weeks I’ve felt myself bubbling. Frustration tightening a knot around my waist (but for more of that, see last week’s rant!) and I knew that this half term I needed to fix it. The most prominent activity in my busy schedule is ‘writing time’. It’s been a while since I’ve been able to grab quality writing time. A run of a few hours where I can lose myself in an idea. In fact, since September I have only managed to write for the odd hour here and there. And that’s not enough for me.

Saturday night, I settled down in my new spot and began to type. I’ve barely thought of anything else since. I seem to be having some sort of inspiration overload. Closing the gates on work for a week has unlocked a boxful of ideas and I am loving the luxury of time.

My first project to hit was the big one. Reset. I’ve been working on this since 2010 and I’m finally at the stage where its feeling polished. It’s ready. It’s my pride and joy and I hadn’t realised just how much I’d missed it.

After a few re-workings of Reset, I bounced over to my second pride and joy – After Caitlyn. Shorter than Reset by a country mile and totally different in tone and style (hmm…perhaps I need to squeeze some poetry into this week) but I couldn’t be prouder of this story. Although it brought unwelcome reminders of the real-life elements that run through the story, I enjoyed being reunited with these characters and adding tweaks to the story here and there. This one is almost ready.

A project that has taken me by surprise this weekend is something I didn’t think I was ready to do. In September, I agreed to lead Performing Arts Club at school. We have lots of fun and the children are buzzing with creative ideas and energy. When the time came for us to consider our big production I was adamant I didn’t have the time (or the energy) to write it. We’d have to order a script in. End of.

Well, here I am, 16 pages into an epic tale of Welsh Myths and Legends. I have to give credit to the children for their inspirational passion. I just couldn’t stop myself and I hope my script provides them with the material they deserve.

And on top of all that, I’ve even had time to re-visit that sitcom (the sitcom that’s not a sitcom. Don’t worry, I’m just as confused as to what it is at the moment) I’ve been talking about for years. If I can get the pilot done by the summer, I’ll be very happy.

So, I’m at an inspirational peak. I find myself thinking about a Reset sequel in the car and those first stirrings of excitement leave my fingertips tingling. I listen to a soundtrack – RENT, some of the most raw, evocative lyrics you’ll ever hear – and I start to think about the characters in After Caitlyn. I look down at the road bringing people to and from my town, and I start to think about a new project altogether, the characters already having a blazing row in my head. I finish The Girl on the Train and I’m in awe of the storytelling. This is what I want to be capable of. My mind is bursting with ideas and I’m relishing the process of channeling them into words. I’m feeling creatively rejuvenated and after a very dry few months, it’s about time too!

Image result for roanoke AHS‘The old magic and new world created something new. Something original.’

I have a new obsession.

American Horror Story should be something that doesn’t interest me. It’s got all the ingredients of a show I’d usually hate – gore, cruel deaths and human jerky. However, despite it appearing to be a beast that is Anti-Rebellious G…..I absolutely love it.

I watched the first season, Murder House, about two years ago. It was around Halloween and feeling uncharacteristically in need of a scare, I came across season one. I was hooked from the beginning (despite having to shield my eyes from the titles.) I loved everything from its gritty characters to creepy sets to gripping (if a little whacky) plots. It was fresh and totally different to my usual viewing. Its also perfect October television. Best watched on dark nights with a cup of tea (and a pillow to hide behind).

Two years and six seasons later I am up to date. Friday nights in Roanoke are one of the highlights of the week. I always thought Asylum was the strongest season. Until now.

After the penultimate episode of season 6, I think Roanoke is the best season to date. And here’s why.Image result for roanoke AHS audrey gif

Firstly, the producers have made it obvious from the start that this season was going to be full of twists and even had us guessing months before episode one transmitted, as creators refused to reveal the theme. Even after episode one it was still unclear. The shift in format to a documentary-style narrative was interesting but writers were wise to end it mid-series and give us another twist – Return to Roanoke. The idea to continue the reality theme and give us a bloody Big Brother – mixing classic horror with the modern obsession with reality – was brilliant and it was good to see AHS favourites such as Sarah Paulson, Evan Peters and Angela Basset have some fun with their characters (multiple characters in this season’s case). For me though, the star of this season is Kathy Bates. You can’t help but feel for Agnes at some points during the season (especially episode six. N’awww) but it’s when that familiar murderous look flashes across her eyes and she starts going cray-cray with an axe that she really shines. (‘I am the tree and lightning that strikes it’.)

The whole season has just been so cleverly written and performed. Even Bates’quirky celtic accent turned out to be intentionally so after we met the desperate, obsessive actress behind the Butcher. The pivotal episode six had some great TV moments. It took the concepts of the first five episodes and rejuvenated them, twisting the season completely on its head. The writers explored every reality TV feature – distant action, confession booths and even characters eating cereal during dramatic arguments. It also seemed to poke fun at actors, with luvvy Audrey bragging about her Saturn nomination and Agnes proclaiming passionately that ‘there are only two great roles in the American canon. Mary Tyrone in Long Day’s Journey….and…..the Butcher’.

The comedy in this series has also been excellently and subtly done, coming mostly from the ‘actors’ from the re-enactment. Audrey and Rory’s overly-sickening wedding video is a stand-out moment, as well as Audrey taking the time to wallow in self-indulgence when she finds Shelby’s body. (‘Oh, God! I feel like part of me has died with her!’)

AHS also has plenty of treats for its fans. In recent seasons we’ve been treated to re-appearances of popular characters (such as Queenie, Marcy and Pepper) and next week sees the return of Lana Winters. It’ll be interesting to see how Lana interacts with series survivor Lee and whether all the answers to this season’s big questions will be wrapped up. I’m sure we’ll get a few unexpected twists and Sarah Paulson will continue to be fantastic as she steps back into Lana Banana’s shoes.

Roanoke has raced along with all the speed of three teens being chased through the woods by a pig man, but the shorter, streamlined season and the fresh new format has only left us itching for more. Cosy Friday nights won’t be the same without showers of teeth, forest dwelling cannibals and murderous nurses.

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I solemnly swear that you won’t find any spoilers in this review.

I have devoured Cursed Child, barely putting it down in the 24 hours since it arrived. Initial responses were mixed. It made me feel a lot of emotions. I felt excited on opening the beautiful golden cover. I relived that childhood delight at a fresh Hogwarts story. I felt nostalgic at the initial references to the HP world. And then I felt just a tiny bit sad.

Cursed Child is everything a HP fan could have wanted from the very first page. A fresh new story combines old with new in remarkable fashion (…….and that’s all I’ll say on that matter.)

Revisiting the much loved characters of the series could have easily been a disaster but Cursed Child succeeds on every level. It doesn’t feel forced or gimmicky. We see some familiar characters, we hear of others, some don’t appear at all. It’s all very natural and never gratuitous.

The shift in format also works very well. Though some have argued that the absence of prose diminishes the magic of the story, I think it strengthens the drama. After all, this is a story that is meant to be viewed, not read. The dialogue is powerful and true to the characters. Ginny Weasley in particular sparkles through the page with her fiery wit. The struggle between Harry and Albus is beautifully written, as is the friendship between Albus and Scorpius. The pressure these boys are under, living in their parents’ shadow, is intricately explored with plenty of thought provoking discussions.

What’s remarkable about Cursed Child is that so much has been kept secret. It’s a testament not only to the creative team but to the fan base that nothing has been revealed. The best way to read/see this story is by being completely spoiler-free, something that’s very tricky nowadays.

On closing the book, I was a bit sad. Sad that this probably is the last time we’ll see these characters, though I was so grateful to be given one last visit, and overjoyed that it was a successful one. (Though I’ve said before Rowling has the upmost respect for her characters and her work – it was never going to be a flop, she wouldn’t allow that.) Mainly, I was sad that I hadn’t waited and watched the play first. Yes, I’ve loved reading the story, but seeing it would have been spectacular. The many twists, turns and reveals that happen would, I imagine, create a truly epic performance. There were moments in this story were I had to close book and take a minute to think ‘how on earth do they pull that off on stage?’. Experiencing this live must be very special (and that’s all I can say because I promised not to spoil).

So Cursed Child is a treat for fans but my advice would be to wait it out for tickets and resist reading (but if you are impatient, like me, you are forgiven). It’s a must read, but even more than that, it’s a must see, and I’ll definitely be getting tickets.

Mischief managed.

Today is my one year anniversary of blogging!

It all started after feeling totally frustrated following my year out of life on the PGCE. I had so many thoughts to express and lots of stories to tell and I was annoyed that I wasn’t doing the thing I loved the most – writing. I remembered the old blog account I had set up years previously but being a total commitment-aphobe I’d only managed a couple of half-arsed posts. I wrote my first post about the PGCE and I’ve managed to stick to a post per week ever since without missing one. That’s a huge achievement for me! I’m really proud of the things I’ve written and I hope people have enjoyed reading them and found some sense in my ramblings.

I like to mark occasions (it borders on the obsessive), so to do so, here are the three blog posts from the past year I am most proud of.

1) Back to Reality: Life Post-PGCE – My first real post and one which generated some great responses. Still worthy advice for anyone considering going through Hell  – beginning a PGCE.

https://gavhayes.wordpress.com/2015/07/13/back-to-reality-life-post-pgce/

2) Closing the Curtain on WMTS – Probably the most honest piece I’ve done. WMTS closing meant so much to me and it’s still hard for me to go past the empty space where it once stood. It’s my most viewed piece to date and I received some lovely comments of support from the people of Wrexham.

https://gavhayes.wordpress.com/2016/02/08/closing-the-curtain-on-wmts/

3) Cardigan-gate: A true  Story – Proud because it’s true and it’s about something that means a lot to me. I could argue the whole gender/diversity thing for hours. But this post pretty much sums it up.

https://gavhayes.wordpress.com/2015/10/06/cardigan-gate-a-true-story/

So thanks for reading and here is to another twelve months!