Category: Writing Projects


A few weeks ago I had a burst of inspiration. I was adding to old material and creating new work for what felt like a whole week solid. It was just pouring out of me and I couldn’t (and didn’t want to) stop it. The last few weeks that wave of creativity has truly crashed and become a pathetic dribble of vague ideas, all due to that frustrating mess of distractions – life. In the past, when I’m struggling, I find I can take inspiration from music. I’ve said before that music is a large part of my life and, aside from the stuff I might sing along to in my car, I’ve got a bank of music I turn to if I want to jump-start a story in my head. Below are five of, what I think, are the most inspirational musicians for writing (as well as providing dramatic soundtracks for your day….or am I the only one who does that?)

Murray Gold – I’m a Doctor Who fan and Murray Gold’s soundtrack comes with a whole TARDIS full of inspiration. Tracks such as ‘The Master Tape’, ‘The Majestic Tale of the Madman with a Box’ and ‘The Rueful Fate of Donna Noble’ are awesome kick-starters for a dramatic showdown or fully-charged finale. A lot of Reset was written with Murray Gold’s series 4 soundtrack blasting in the background, particularly tracks from latter episodes. Not only has he composed some deliciously dramatic pieces, but his tracks, such as ‘The Dream of a Normal Death’, ‘Goodbye Pond’ and ‘The Long Song’ can also be beautifully poignant. I’ve used Murray Gold’s music to inspire my own work but I’ve also played it many times in the classroom to inspire creative writing (and the children always love it). It’s also worth noting that Gold has composed some wonderful incidental pieces for Torchwood, such as ‘Death of Toshiko’ which always makes me a bit damp around the eyes.

Scala & the Kolacny Brothers – I first heard their take on U2’s ‘With or Without You’ some years ago on an advert for Downton Abbey. It was such a haunting piece of music that I had to find out more, and I’ve since added their versions of ‘Use Somebody’, ‘Heroes’ and ‘Every breath you take’ to my writing playlist. Nothing quite tops ‘With or Without You’ when it comes to sending shivers up your arms, though.

Michael GiacchinoLost was one of my favourite TV shows and, apart from the bonkers characters and quirky mysteries, I loved it for its music. My favourite piece of incidental music from Lost is ‘Moving On’. I love how it rises and falls, from soft and gentle to a breath-taking crescendo that just makes you cry! (It’s also great for calming down rowdy Year 6s, I’ve found). Giacchino is also behind some amazing scores from films such as Up and Jurassic World.

John Williams – Speaking of Jurassic World/Park, I had to include the film’s original composer, who created that iconic theme tune (and, alright, I may have been guilty of playing it at full blast as I’ve driven around Wales). Whether you’re into dinos or not, it’s really difficult not to get excited when the music swells. Of course, Williams is also famous for the Star Wars soundtrack, which is equally as inspiring for dramatic writing.

Alan Menken – Responsible for creating some classic Disney tunes, I had to include Menken’s work. Regardless of the catchy songs, Menken’s back catalogue of instrumental scores alone is worthy of this list. From The Little Mermaid to Tangled , Menken has created many breathtaking pieces of music. One of my favourites is ‘Transformation’ from Beauty and the Beast. (Close your eyes, have a listen and feel happy!)

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I’ve always fancied writing about living in London. I tried to do it once when I dabbled with a sequel to Reset but the whole thing fell flat because….I’ve never lived in London! How could I write about something that I don’t have a clue about? I don’t know street names, hidden locations, shortcuts. I don’t know what it’s like to wake up there every day. To have my faced pushed against a tube window during a morning commute. To dash through the rain and streetlights in the middle of the night. To sip a drink in the shadows of a bar. I don’t know what it’s like to live in London. So I couldn’t possibly write about it.

It might sound like an obvious idea but this lesson has taken me a long time to learn.

When I was growing up my projects usually focused on characters in a theatre group or at school, because that’s all I knew. I didn’t click at first, but my projects all had similar threads. Reset is based in Cardiff because I’ve spent a lot of time there over the years. After Caitlyn focuses on a toxic friendship and the repercussions it can have. Alex’s story is about the struggle to find your place in the world. The strongest threads come from my own knowledge. Naturally.

A few weeks ago something happened and the more I thought about it the more I felt the need to write it down. I started with this tiny incident which grew, and is still growing, into a full story. I’ve got a character who is becoming more and more real and situations which I think are running very natural courses because the initial basis of the story is truth.

I’m sure it goes without saying that the best writers are those who have lived through pain and truly experienced life. It’s no wonder I’ve been getting so frustrated with my ideas, feeling like they’re old news, like my imagination is drying up. I’ve used up all my stock. How can I write about different cities if I’ve never visited them? About life experiences if I’ve never experienced them?

The message is to write about what you know. And if you don’t know it, go and find it.

Half term. I’m sat in the window of my apartment at a newly created workstation strategically placed so I can look out over the busy road, the commuters bustling through the train station and those handsome Welsh mountains in the background. I’ve been meaning to set this spot up since I moved in almost 15 months ago but only now have I managed to take action.

The last half term, in October, was a bit of disaster. I don’t have a good track record when it comes to half terms. Christmas, Easter, the Summer – they’re all great, but it’s these week long holidays in between that I can’t seem to handle properly. I always end up with cancelled plans or no plans at all. I just can’t do half terms! This was one, however, was going to be different.

For a few weeks I’ve felt myself bubbling. Frustration tightening a knot around my waist (but for more of that, see last week’s rant!) and I knew that this half term I needed to fix it. The most prominent activity in my busy schedule is ‘writing time’. It’s been a while since I’ve been able to grab quality writing time. A run of a few hours where I can lose myself in an idea. In fact, since September I have only managed to write for the odd hour here and there. And that’s not enough for me.

Saturday night, I settled down in my new spot and began to type. I’ve barely thought of anything else since. I seem to be having some sort of inspiration overload. Closing the gates on work for a week has unlocked a boxful of ideas and I am loving the luxury of time.

My first project to hit was the big one. Reset. I’ve been working on this since 2010 and I’m finally at the stage where its feeling polished. It’s ready. It’s my pride and joy and I hadn’t realised just how much I’d missed it.

After a few re-workings of Reset, I bounced over to my second pride and joy – After Caitlyn. Shorter than Reset by a country mile and totally different in tone and style (hmm…perhaps I need to squeeze some poetry into this week) but I couldn’t be prouder of this story. Although it brought unwelcome reminders of the real-life elements that run through the story, I enjoyed being reunited with these characters and adding tweaks to the story here and there. This one is almost ready.

A project that has taken me by surprise this weekend is something I didn’t think I was ready to do. In September, I agreed to lead Performing Arts Club at school. We have lots of fun and the children are buzzing with creative ideas and energy. When the time came for us to consider our big production I was adamant I didn’t have the time (or the energy) to write it. We’d have to order a script in. End of.

Well, here I am, 16 pages into an epic tale of Welsh Myths and Legends. I have to give credit to the children for their inspirational passion. I just couldn’t stop myself and I hope my script provides them with the material they deserve.

And on top of all that, I’ve even had time to re-visit that sitcom (the sitcom that’s not a sitcom. Don’t worry, I’m just as confused as to what it is at the moment) I’ve been talking about for years. If I can get the pilot done by the summer, I’ll be very happy.

So, I’m at an inspirational peak. I find myself thinking about a Reset sequel in the car and those first stirrings of excitement leave my fingertips tingling. I listen to a soundtrack – RENT, some of the most raw, evocative lyrics you’ll ever hear – and I start to think about the characters in After Caitlyn. I look down at the road bringing people to and from my town, and I start to think about a new project altogether, the characters already having a blazing row in my head. I finish The Girl on the Train and I’m in awe of the storytelling. This is what I want to be capable of. My mind is bursting with ideas and I’m relishing the process of channeling them into words. I’m feeling creatively rejuvenated and after a very dry few months, it’s about time too!

Short post this week as I’m on a roll and determined to spend as much time as possible on the five year project!

So, in the last couple of weeks major developments have happened. The first episode is almost complete. Which, considering this has been five years coming, is a major step for me! I had a bit of an inspiration burst over Easter and began changing my plans for the pilot. One thing led to another and here I am, close to a full first draft of ep. 1. I’m so excited!

I decided to give my planning the ‘Reset treatment’. Whilst I was writing Reset, I stuck a huge piece of paper to the wall and covered it in post-its – each representing a chapter – which details key points in the plot. I was able to mix these around and throw some away and add new ones as well as get an overall view of where my story is going. It also served as a constant reminder (because it was huge!) that I needed to be working. So, when I sat down at my laptop I realised I needed some visual prompts. I took a piece of paper and sketched out an episode map which showed each characters journey throughout the eight episodes. Having this in front of me has been a great help.

Another planning device I used with Reset was to create a scrapbook of images – whether that be actors who would play characters, key props or pictures of potential settings. So over Easter I created the Big Red File. I split the file into sections, one for each main or recurring character. Each section starts with a collage of images of actors who could play that character, then on the reverse I have the random facts page. The random facts page is a working document which I plan on adding to as I go along. This page has the character’s key information (e.g., full name, DOB, family, etc) as well as any other facts (Such as stories from their childhood or guilty pleasures). The big red file is going to be my bible.

Something which I also found handy when I wrote After Caitlyn was to create a playlist of songs. I’ve not reached that stage yet, but I have jotted down a few songs which could feature.

Getting creative with my planning has definitely spurred the project on and rejuvenated my enthusiasm. It’s like looking at the story with a fresh pair of eyes. I can see what works and what doesn’t, and I’m able to make tweaks and changes, which leaves me very excited! I’d be interested to hear of any other techniques writers use to immerse themselves into their stories and develop their writing.

In the meantime, I’m pressing on with Ep. 1 and my next step is to give it a proper name, as five year project is getting a bit naff.