Category: Review


Well I think we can all agree that this week’s episode of Doctor Who was terrifiying. Set on a troubled space station, Oxygen saw the Doctor, Bill and Nardole arrive to answer a distress signal. As if dealing with the space-zombies (dead astronauts being carried around by their smart-suit) wasn’t enough, they also had to deal with the lack of oxygen. Stressful stuff.

It feels like the Doctor has been travelling to increasingly darker territories since the show’s return in 2005. We’ve had everything from face-consuming gas masks to shadows that will eat you alive but it seems the show is still finding new ways to make us shudder.

Whilst Russel T Davies injected fresh new life into Doctor Who, it’s been Steven Moffatt who is responsible for giving it that chilling streak. Since the beginning of his reign we’ve had the Weeping Angels (terrifying!), Dream Crabs (bloody terrifying!) and the Silence (Oh good God, I’d forgotten about those!) – all suitably creepy enough to give us nightmares. But is this what Doctor Who is about? There’s plenty of criticism online that recent series’ have been too dark and scary for children and there’s lots of people who would like to see it return to its warmer, family-friendly roots.

Take Oxygen. I have to admit, I was freaked. The imagery of the dead astronauts stomping around the space station was effectively eerie, an image I can’t imagine many children will be forgetting in a hurry. But, to me, that’s what it’s all about. Yes, I like watching the Doctor travelling to different planets and having banter with his companions but I also like it when it scares me. When I’m still thinking about it as I go to bed. The Doctor lives a dangerous life and it does the audience good to be reminded of that. It’s not all Oods and Robin Hood. One of the most powerful sequences in this episode was the moment Bill is exposed to the vacuum of space. The peril felt real, aided by a great performance from Pearl Mackie. Bill’s genuine fear throughout the episode came across really well, adding to that feeling of unease as you watch from behind your cushion. Then, ofcourse, the suckerpunch of episode came as the Doctor paid a price for his adventures and lost his sight. Grim stuff.

It’s not just the monsters. We’ve been hit with a different kind of scary several times in recent series as the show has proved it can do psychological terror pretty well too. For example, the words ‘Don’t cremate me’ are enough to give you goose bumps. Doctor Who is able to show us just how awful our own world can be, because anything is possible in the Whoniverse, even the most horrendous of situations.

But should Doctor Who tone down the fear factor? Of course not! Classic Who is remembered most for being terrifying (if a little shoddy on the special effects) so NuWho is simply bringing that thread into 2017. It’s a rare breed of show that has a license to do whatever it wants, so it should always be finding new ways to scare us. The best episodes are the ones we’re stilling thinking about and shuddering days later. Doctor Who should always have the ability to send us diving behind the sofa.

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So it’s back. I always forget just how much I’ve missed Doctor Who until those opening titles of a new series roll out.  Series 10 kicked off on Saturday with the introduction of a brand new companion – Bill Potts. After the initial intro clip last year I wasn’t too sure about Bill. She came across as a bit too cartoony and goofy and I could see her being very annoying very fast. However…(wait for it….rare moment coming up) I was wrong. Bill definitely made her mark in her premiere episode – showing that she was an intellectual match for the Doctor and adding a fresh new dynamic on board the TARDIS.

Bill is a new kind of companion. She sees things from a view point we’ve not had before. (She even asks the classic question in a different way – ‘Doctor what?’) She is refreshing for many reasons but mostly because of her humanity. I loved Clara, but by the end of her run if felt like she was saying the same things over and over again. The same quizzical expression. The same sarcastic comments. The same sort of cutesiness. Bill is different. Bill isn’t afraid to call the Doctor out on his faults – which of course Clara was happy to do too – but I can imagine Bill doing it with a bit less sass. She’s honest, grounded and flawed. She’s just a bit more human! The ways she’s written comes across so naturally. Perfect qualities for a classic companion. Bill also had one of the best introductions to the TARDIS, with the lights slowly booting up as the camera pans out…..only for her to liken it to a kitchen (its’ true) and a lift (also true). In her first episode she experiences heartbreak as she is forced to let Heather go. Her strength, complexity and emotional depth in these scenes are promising. It’ll be interesting to see how her story unfolds…

One thing that did stick out as odd was the re-appearance of Nardole. Nardole seems to have just…happened! Probably due to the large gap between his introduction in the 2015 Christmas special and his more recent appearance last Christmas.  Nardole just doesn’t quite seem to work yet. Still, I’m hopeful a satisfying explanation as to why the Doctor has him sticking around will be revealed as the series rumbles on. Though at the minute it does sort of feel like Moffatt is keeping him so he can kill him off in the finale (he’s promised it will be a ‘bloodbath’.)

The Pilot demonstrates one of the shows keys themes – regeneration. Doctor Who has the gift of being able to overhaul everything once things start to get a bit stale. It’s great to keep things fresh and allow a ‘stepping on’ point for new viewers….but what about old viewers? Doctor Who has gone through a lot of changes over time, particulary since it’s return in 2005, and next year will see the show have a new Executive Producer, a new Doctor, a new look and possibly a new companion. So did we really need this new revamp so soon? Sometimes the constant changing between series’ can be off putting to those who want to immerse themselves into a story they have already invested so much in. It can be a bit frustrating when the reset button keeps being pushed. Take Capaldi’s Doctor, for instance. This is only the beginning of his third series and he has transformed so much. He’s gone from grouchy and dangerous to a wise old grandfather figure. What happened to the snarling beast Moffatt promised after Matt Smith’s regeneration? I’d have liked that process to take a little longer, to have really been explored. It’s a shame this is to be Capaldi’s last series as his Doctor hasn’t really had much chance to shine.

So, overall a good opening episode but I’m hopeful for a bit less re-booting and a few more references to the show’s history in future episodes. Having pictures of River Song and Susan on the Doctor’s desk was a nice touch. The new TARDIS dynamic is going to give us some interesting moments in the lead up to Capaldi’s exit. I think it’s gonna be a good one.

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You know I love EastEnders. I’ve had a run for at least four years where I haven’t missed an episode. In the days of the Lucy Beale Saga I was even known to watch episodes twice in case I’d missed anything. Bordering on pathetic, I know, but this heart only beats for one soap and that’s Easties.

However, those days of double viewings are long gone. Since the autumn, it’s hurts me to say, EastEnders has been a disappointment, with the only bit of real excitement being the soon-forgotten bus crash. Gone are the firecracker episodes of recent years (the live episode, Sharon and Phil’s wedding, all the Carter chaos, Claw-dette and the aftermath of Paul’s death to list just a few), instead we’re left with pathetic, half-arsed sighs of episodes, like the writers have actually just given up. Lazy writing, boring storylines and character personality swaps – here’s just handful of reasons I think EastEnders is going wrong!

  • Ronnie and Roxy – I’ve already written about this but still….What the HELL?! Four months later and I’m still not over it. Two of the most iconic characters played by very skilled actresses bumped off in a very (ahem) damp storyline. Ronnie and Roxy deserved so much more than a hastily written exit clearly fashioned to grab cheap ratings. Please, EastEnders, let it all be a dream and just bring them back!
  • Mass Character Culling – it’s not just R&R who have been victims of an over-hasty axing. It seems to be the strongest characters who have left suddenly over the past few months. First, Pam and Les, a couple representing everyday folk, suddenly shoved in a taxi and sent off to Worthing. Then there was Claudette, a fiery matriarch with so many secrets yet to be uncovered. She had one hissy fit with Patrick and disappeared into the night. And don’t even get me started on Babe, who gave her finest performance yet in her last episodes. (I think I’m going to start cursing people too). That’s before we even mention Lee and Belinda! Jeez, Easties, get a grip!
  • Boring newbies – I’m talking about the teens. Stereotypical and dull. Teenagers don’t talk like that. It makes me cringe every time. Stop it, EastEnders. Stop it now.
  • Pointless returns – I am all for a return, especially if it’s an unusual one, such as Yolande or Derek, but what I don’t like is characters who are brought back for no reason. Yolande hovered about for a couple of minutes before disappearing back into the ether. WTF. In previous years we’ve had some fantastic surprise returns (remember Anthony when Patrick had a stroke? Rainie Cross revealing a secret bunk up with Ian? Morgan and Tiff for Whitney’s wedding? Not to mention Kathy. KATHY!) all of which have had a purpose and been really effective
  • Dull storylines – One word. Bins. Need I say anymore?
  • Mick and Whitney – The whole ‘will they, won’t they’ thing with Whit and Mick has been ridiculous. We all know Mick would never cheat on Linda, they’re the most solid couple on square. Stop trying to force this one on us, scriptwriters, it’s not working.
  • Ben and Johnny – Oh I could write a whole post about this one! Ben and Johnny have been mates for years, barely a hint at romance. In fact, years ago, when Johnny had a different face, he rejected Ben and that has sort of been the basis of their friendship since. Until last week when all the other characters suddenly and fleetingly decided they were ‘meant for each other’ (and kept repeating it throughout the episode just to really shove it down our throats). Of course, by the end of the episode they were in bed together. Because, of course, gay men can’t be friends, they always end up shagging their mates. *massive eye roll*
  • Pointless, slapdash storylines – the bus crash – no aftermath. Ronnie and Roxy’s deaths – pitiful aftermath. Johnny and Ben sleep together – agree to be friends again at the beginning of the next episode. Denise’s mum casually reveals she was adopted as she’s getting in a car to leave – barely mentioned again. On times it feels like the story threads have been planned by a hyper-active cocker spaniel. There such a lack of direction or continuity that it makes you think this new producer hates the show and is sabotaging it from the inside….
  • Michelle – It was very brave of producers to recast Michelle, and to an extent it has worked. It’s been good to see the Fowlers branch out a bit and perhaps, if a return of Vicky or Mark Junior was in the works, Michelle might stand a bit more chance of succeeding. So far her constant moaning and references to ‘the way mum use to’ do things is getting on my nerves. Though I must admit her special episode with Sharon was fabulous, full of witty, emotive dialogue. My advice – get rid of Preston, stick her with Sharon and bring in some of her kids. Oh, and let her carry on teaching.
  • Dreadful writing – I remember the days when the writing used to fizz and pop. With the exception of a handful of episodes, the writing this year has been pretty bland. Being able to guess what a character is going to say word for word is not a sign of good writing, and that seems to be happening a lot. We’re suddenly being subjected to a barrage of stock-phrases (‘poor kid’, ‘who does something like that?’, ‘Is this some kind of sick joke?’ *shudders*). Another hint that the writers have just given up.

There was a time when, if you’d have said I’d be writing such a negative blog about my beloved EastEnders, I’d have told you to sling yer ‘ook and get outta ma pub. I’ve tried so hard over the last few months to ignore the building negativity but I just can’t handle it anymore! This week has been billed as ‘explosive’ with the reveal of Michelle and Preston’s forbidden relationship and a rumoured disaster. I’m pinning all my hopes on it living up to the hype, with some powerful performances and possibly some surprises in store, because if it’s another disappointment, I might be giving Easties the duff duffs.

My countdown continues! Below are my top eight most WTF moments in NuWho. Allonsy!

Number 8 – Oswin Oswald, Asylum of the Daleks, Series 7.

We kneImage result for Oswin Oswald gifw Jenna Coleman was the new companion but didn’t expect her to pop up alongside Amy and Rory in Asylum of the Daleks. OK, she wasn’t playing Clara Oswald but Oswin Oswald, who turned out to be a version of Clara….confused? Well this brings me on to…..

 

Number 7 – Clara’s secret finally revealed, The Name of the Doctor, series 7.

We’d been guessing for months as to who on Earth Clara Oswald was and The Name of the Doctor finally revealed her true identity which was…..Clara Oswald. Not some sinister force sent to destroy the Doctor or a forgotten Timelord, as some speculated, but an ordinary Earth girl. At the end of the episode she rescues the Doctor by stepping into his timeline, scattering herself across his many lives, thus explaining why she kept popping up in previous episodes. Clever! The cold-open of this episode is gasp-inducing enough with the many references to the Doctor’s past faces, but, just to push any fan over the edge, we’re then hit with the arrival of the War Doctor played by John Hurt! Boom! Fangasms all round.

Number 6 – ‘I don’t want to go’, The End of Time, Part 2

The death toll was ringing for the Tenth Doctor for what seemed like years, but on New Year’s Day 2010 the mystic Ood in the snow finally sent him to his maker. After visiting several of his favourite companions, the Tenth Doctor stumbled into the TARDIS and began to regenerate, delivering one final heart-breaking line. As with many of the Doctor’s best moments, this was made extra-special by Murray Gold’s incredible soundtrack.

Number 5 – Rose’s death, Doomsday, Series 2.

‘This is the story of how I died.’Image result for rose tyler bad wolf bay gif

Drama queen Rose sets the story off to a happy start, leaving viewers on the edge of their seats, knowing this was Billie Piper’s last episode (or so we thought). The battle of Canary Wharf with Torchwood, Daleks and Cybermen, ensured the second series ended with a bang, but the WTF moment came as Rose was sucked closer to the void opening, only to be rescued at the very last minute by her fake-Dad from a parallel universe. Sealed in Other Earth, Rose gets one last chance to say goodbye to the Doctor in Bad Wolf Bay. No one needs reminding of that beach scene. *sniff* but the Whoniverse did do a great big sigh of relief as Rose survived in another world, but technically dead in this one.

Number 4 – ‘You Are Not Alone’, Gridlock, Series 3. 

Gridlock is an underrated episode. A simple idea – The Doctor and Martha visit New Earth only to find the majority of New New York’s citizens are trapped on an underground motorway and have been for many years. It’s in this episode that the Doctor starts to reveal his past to Martha, explaining how the rest of his species were killed and he is now the last of his kind. Most of the action takes place within various vehicles, but key themes of belief and hope are powerfully conveyed. The scene where drivers take part in the ‘daily contemplation’ is very moving. It all ends with the Doctor over-riding the motorway system, freeing everyone who is trapped and allowing them to rebuild the city. He’s helped by the Face of Boe, who shares his final secret with him before he dies – ‘You Are Not Alone’. Enigmatic, right?

Number 3 – The 50th Anniversary, The Day of the Doctor, Special episode.

Months of teasers and guesswork led to this massive episode. Event television at its finest. The Day of the Doctor had lots of references to the history of the show, as well as setting up the return of Gallifrey for future episodes. Long awaited shots of the time war were spectacular and the returns of David Tennant, Billie Piper, Jemma Redgrave, Tom Baker and the Zygons satisfied viewers around the world. Throw in a secret Doctor (played to perfection by John Hurt) and an impossible choice and you have an emotionally charged celebratory episode. (Note: We also get introduced to Osgood in this episode and she is several kinds of awesomeness.)

Number 2 – Melody Pond, A Good Man Goes to War, Series 6.Image result for a good man goes to war gif

Mid-season cliffhanger alert! Professor River Song’s (AKA The Doctor’s wife) identity was finally revealed during this episode. Showing up just as the Doctor has lost the battle of demon’s run, with Amy and Rory’s new baby, Melody, being kidnapped by the genuinely terrifying Madam Kovarian, River tries to console the grieving parents. Taking a prayer leaf embroidered with Melody’s name, River explains that the name (Melody Pond…with me?) translates as River Song. Thus revealing that through timey-wimey madness she is Amy and Rory’s daughter. Despite looking fifteen years older than them.

Number 1 – Everything, Turn Left/The Stolen Earth/Journey’s End, Series 4.

Nothing can top these three episodes. This was Doctor Who at its peak, for me. The end of RTD’s era saw a culmination of plot threats and great big mega-fan-wanky (his words, not mine) finale. Turn Left was a masterpiece, re-visiting events from the last few series from the perspective of Donna Noble (in my opinion, the best companion). We also got a glimpse of the dystopic nightmare world that exists without the Doctor. (Mass-death, concentration camps, segregation…not exactly a light and fluffy episode!) The final few moments where Donna reveals she’s met Rose Tyler (‘She said….two words….Bad Wolf’) still gives me shivers and then there’s the trailer for the next episode! I don’t think I’ve ever fangirled so much over a trailer. Flashes of all the favourite characters from past seasons and spin-off shows (Torchwood and The Sarah Jane Adventures) as well as a Red Dalek! Harriet Jones! Captain Jack! K9! All in one episode?! Christ, I was so excited. I’ve watched The Stolen/Earth and Journey’s End so many times I can almost quote it off by heart. The way all the characters play a part and threads are brought together so neatly is fantastic and a masterclass in storytelling. And then there’s that regeneration shocker! Catherine Tate is also at her peak in these episodes, proving Donna Noble is totally kick ass. By the end, you’ll be in tears.  Whether it’s at the Earth being saved (with that wonderful music), Donna Noble leaving the TARDIS in heart-breaking fashion, or just because you’re so bloody happy that everyone is together!

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The new trailer for series 10 has landed and I couldn’t be more excited. It’s been a while since the Doctor was on our screens (except for the Christmas special) and I’d forgotten just how much I love this programme. With the latest hype over the new series and a new Doctor on the way, it’s all change, and my excitement has been regenerated. I’ve spent Sunday watching some of my favourite episodes (be warned – NuWho only.  I only started watching in 2005. Sorry!) and I couldn’t resist revisiting some of the most gasp-inducing moments! I cannot believe I’ve only ever blogged about Doctor Who once – ridiculous! Allow me to rectify that.

(Oh and I’ve split this blog into two parts. Partly because it’s massive but also just to be uber-annoying. Enjoy!)

Number 15 – Daleks! Bad Wolf, Series 1.

We’d already seen one Dalek in NuWho and, perhaps I was naïve to think we wouldn’t see them again for a while. Just as we were recovering from Rose being murdered on live television, we were even more shocked to discover she is alive, but being held in a Dalek fleet ship. The cries of ‘Exterminate’ were genuinely terrifying. This episode also revealed the story arc of Bad Wolf. I remember being totally blown away to discover the messages Rose had left the Doctor throughout the series and had to re-watch immediately to spot them all over again. I think this is when I really began to admire RTD’s work….

Number 14 – The Doctor is killed, The Impossible Astronaut, Series Image result for the impossible astronaut gif6.

There was something about this series that felt very different from the start. We knew one character was going to bite the dust but we didn’t realise it would be The Doctor, who was murdered at the side of Lake Silencio. Watching him get shot in the distance as Amy, River and Rory react in horror was very grim and a moment that haunted us for the rest of the series. (Note: The clever resolution in The Wedding of River Song should also be mentioned. Well done. Bravo. *claps*)

Number 13 – Skaro and Davros, The Magician’s Apprentice, Series 9.

Well we didn’t see this one coming. The opening story of series 9 was packed with twists and cliffhangers. Davros’ return was kept a secret until transmission, a decision which certainly paid off. The moral focus of the storyline, as the Doctor struggles with the decision to rescue or abandon the young Davros, kept us thinking throughout. The moment Skaro materialises around Missy and Clara was also a skin-tingling moment and refreshing to see other characters react in horror to a reveal, rather than the Doctor.

Number 12 – The Zygon Invasion/The Zygon Inversion, Series 9.Image result for the zygon invasion

Two of my favourite episodes to date. Subtly topical, this double bill acts as a sequel to the 50th anniversary episode and explores what happens when the 20 million Zygons hiding as humans on Earth begin to revolt. The parallels drawn between modern political issues make for a thrilling and thought provoking set of episodes and Peter Capaldi shines during a powerful speech on fairness and consequences of decisions. We also have the return of fan-favourite Osgood, who acts as a welcome source of morality in what can be a pretty grim set of episodes. Another underrated story that deserves much more praise.

Number 11 – Eleven Regenerates, The Time of the Doctor, Christmas special.

It’s a bit annoying that Eleven happens to revert back to his younger state before Image result for eleven regeneration gif amyregenerating, but that aside, another powerful moment. Murray Gold does it again with an excellent score. The riff of ‘The Long Song’ as Amy reappears to the Doctor still brings a great big lump to my throat. And then he takes off his bow tie! Who would have thought such an action would leave millions in total despair?! But, I think what really pushes your emotional buttons in this scene is the Eleventh Doctor’s last speech…

‘I will always remember when the Doctor was me.’

You can’t help think there’s a bit more Matt Smith in that speech than the character he’s playing.

Number 10 – Amy and Rory’s deaths, The Angels Take Manhattan, Series 7.

Just when you thought Amy and Rory have survived their final episode, Rory is touched by a Weeping Angel and sent back in time to live out the rest of his life. A devastated Amy sacrifices herself to be with Rory and the Doctor is left bereft. *sniff*

Number 9 – The Master Returns, Dark Water, Series 8

Trapped in the Time War way back during The End of Time, we thought we’d saw the last of The Master. So, it was quite a shock to discover Michelle Gomez’ bonkers Mary Poppins-esque Missy was in fact The Master in female form. Gomez injected new life into the character and plays Missy with devilishly mad style. Even though she’s ‘bananas’ we can’t help but love her….even if she did kill one of the Osgoods.

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Warning: Spoilers within as well as references to explicit material.

Hello. My name is RebelliousG. And I would like to share with you the most amazing show.

In principle, The Book of Mormon sounds like it should be a pretty dull show. A musical about Mormons? Really? You’d be forgiven for guessing this show is an elaborate plot to promote the religion but, for those uninterested in changing faith, have no fear. This show is anything but an advertisement. And it’s certainly not dull. With tongue placed firmly in cheek, The Book of Mormon tells the story of smarmy, self-absorbed Elder Price and his loveable, clueless fellow missionary, Elder Cunningham, as they are deployed to Uganda on a hopeless mission to convert a village of agnostic Africans.

The opening Image result for book of mormon londonnumber welcomes us to the pristine and innocent world of Mormon friends as they practise their perky greetings. It’s a full on cheese-fest that’ll win anyone round immediately. It all goes a bit pear-shaped when, after dreaming of being sent to Orlando, Elder Price is packed off to Uganda and saddled with Elder Cunningham to dampen his mood further.

This is where things get a bit….explicit. The Mormons arrive in Uganda and meet a bunch of hapless missionaries who have yet to recruit anyone to the church, but stay positive by ‘turning it off’ – a useful technique of switching off all negative feelings, told wonderfully though a big tap number. Turn it off is the definition of a showstopper. Tap-dancing Mormons singing cheerfully about turning off their guilt, grief and suppresse
d sexuality. What more could you want? It’s topped off with the quickest costume change I’ve ever seen.

Another stand out number is the ‘Hakuna Matata’-esque, Hasa Diga Eebowai, sang by the Ugandan villagers on the Elders arrival. Don’t be fooled though, the writers knew exactly what they were doing with this one. At first it sounds like the Ugandans are singing a message of jolly perseverance to an INCREDIBLY catchy tune, but the true translation of Hasa Diga Eebowai is soon revealed to the horrified Mormons as a great big eff-you to God. It then descends into a barrage of explicit insults at the ‘heavenly father’ which, annoyingly (well…OK…not really), is a bit of an ear worm. (You’re really gonna have to try hard to get this tune out of your head!) The lyrics might be enough to force even the most open-minded person to cringe but the message of Hasa Diga Eebowai is actually a powerful one. The villagers have to deal with genital mutilation, awful living conditions, the threat of a war lord and the AIDS outbreak. A powerful line from the song sums it up

‘If you don’t like what we say,

Try living here a couple days.

Watch all your friends and family die,

Hasa Diga Eebowai!’

Some people might judge this musical number as offensive and I imaginRelated imagee this is the point where people might walk out (two people did in our performance) but if you put yourself in their shoes, you can see where their lack of faith has come from. The song actually does
what theatre is supposed to – it makes the audience challenge their ideas and empathise. I loved it!

From a show that tackles topics such as rape, FGM, violence and intercourse with amphibians, it has a really warm heart. The show never cruelly mocks Mormons or their beliefs, nor does it preach to the audience. Elder Price collapses under the strain of his new environment, and even endures having his book inserted somewhere very painful in another darkly comic moment, and it’s Elder Cunningham who emerges the hero. Although he lies to the villagers and spices up the Book of Mormon by ‘taking the holy word and adding fiction’, such as threats of the fiery depths of Mordor and being struck down by Boba Fett, he gives them something to believe in which gives them strength. Whilst Elder Price might lose his faith, he, as well as the other missionaries and villagers, are given a new one. The Book of Mormon promotes the power of Belief and how, whatever you choose to believe in, it can help you through the toughest situation.  We’re also given the message to ‘take one day at a time’ and not worry about life after death.Image result for book of mormon london hasa

KJ Hippensteel was delightfully cheesy as the ‘all American prophet with the Donny Osmond flare’. It must be hard to find the balance between face-punching arrogance and endearing naivety but Hippensteel treads that fine line perfectly as Elder Price. David O’Reilly gave us some side-aching moments of comedy as Elder Cunningham and you could tell he was enjoying every minute of being on stage. Another reason the show is such is a hit is that its main characters are poignantly human and flawed. They both make mistakes, whether that’s lying or, in the words of Jesus, just being a dick. There are moments when you know you shouldn’t like them….but you still do! Alexandra Ncube is a power house as Nabulungi (or is that….Neutrogena? Or Nutella? Or Nigel Farage?), giving us some sweet moments with Elder Cunningham and tingles as she sings her heart out in Sal Tlay Ka Siti. I’ve also got to mention Stephen Webb who gave an excellent performance as the secretly gay Elder McKinley, with subtle comic timing, never over-doing it.

The show is held together tightly by an excellent supportive cast. The Mormon missionaries are a joy to watch, whether they’re tapping in Turn it Off, high-kicking in hell during Spooky Mormon Hell Dream or breaking our hearts as they prepare to leave the village after a disastrous mission. The actors playing them gave a masterclass in being a dazzling ensemble with eye popping footwork and super-quick costume changes.

So, The Book of Mormon comes with the highest recommendation. Put any preconceptions aside, they’re not needed. This is a refreshing piece of theatre that pulls out all the stops and shocks in all the right places, for the right reasons. You’ll be tittering at the dark comedy for a long time afterwards, just as you’ll find yourself singing about the most inappropriate things at the photocopier at work the next day. But it stays with you for other reasons too. Beneath all the grimness and cynicism is a very warm heart and an important message. Plus it’s got a kick-ass soundtrack.  The worst thing about seeing this show is the desperate urge to see it again!

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‘Oh, Christ. I’ve got to write a blog post about this horrendous year!’

I sat down at the laptop. Brexit. Trump. Celebrity deaths. The end of the Bake Off as we know it. Where on earth do I start?

Well…actually….I’d like to focus on the positives. Not just because doing otherwise would mean typing up a mammoth post that my wrists just can’t handle, but because somewhere in the embers of 2016, amongst all the ash, are a couple of gems.

I have to keep reminding myself that, for me, it’s been an awesome year. Yes, I may have been clutching for the mojitos and chocolate and spending too much time buried in a duvet by the time Christmas hit, but we can’t let the horrors of 2016 impinge on the good stuff.

First of all, there’s my job. Alright, I’m aware this is becoming a bit of a catchphrase of mine but, I do really love my job, and 2016 was the year I was entrusted with my own class. Every morning I wake up and get to spend time with hilarious, caring and happy people. What a gift!

2016 has also fuelled my favourite hobby – theatre. I’d gone through a very dry patch where theatre was concerned, until March when I discovered some real gems at Theatre Clwyd….and the obsession with theatre tickets began. Cat on a Hot Tin Roof, Little Shop of Horrors, Joseph, Be My Baby, Cyrano de Bergerac, RENT….just some of the awesome shows I’ve been lucky to see this year. Then, of course, there was the big one – London. I’m still recovering from the brilliance of A Midsummer Night’s Dream at the Southwark Playhouse and I don’t think I’ll ever get over that conversation with Freddie Fox. (I say ‘conversation’. I did a lot of nodding.) I also (accidentally) went to my first Pride festival whilst in London. A celebration of diversity, unity and love. The perfect antidote to 2016.

In September I also took the leap and joined another local theatre group, something which I’ve been meaning to do for a long time. After a few nights of volunteering I was really taken aback by the warmth and friendliness of the place. I’m definitely hoping 2017 brings more of that.

We’ve also got to remember the laughs. In 2016, I nearly got my hand glued to a tortoise, watched my friend face-plant the gym floor, giggled through a very serious game of bingo with my colleagues and sang the national anthem in a rural welsh pub whilst my friend tried to flick maltesars into my mouth. Mix in being chatted up by a Cliff Richard look-a-like, some awful Karaoke and the quest for the perfect Celine Dion impression and you’ve got plenty to smile about! I know, 2016 was pretty awful in a lot of ways, but none of it can be changed now. When I look back, I’m going to try and remember that year for its laughs, its nights out, its nights in, the friends, the fun and that important turning point in my career. *raises a glass of wine* and now to 2017, a new year, let’s hope it’s a happy one…..

…….*watches EastEnders*…..

Oh for Christ’s sake.

The big day is over for another year. All the stress and panic leading up to it has passed and it’s now time for my favourite tradition: spending Boxing Day eating chocolate and watching films.

One day I’ll write the blog about why Christmas sometimes runs the risk of being a miserable time for me, but for now, I’d rather focus on how good this year has been. The run-up didn’t top last year, but, as I sit with my wine and chocolates and wait for EastEnders, I can say it’s been….good. Here are some of my highlights.

  • Food – My favourite thing ever. I have eaten my own body weight and plan to do so until January 1st. I’ve turned the Joe Wicks book I was given upside down until the New Year. He doesn’t need to see this.
  • TV – I bloody love Christmas TV. EastEnders is always a highlight and last nights, although lacking in the traditional misery and despair in my opinion, was a festive treat. (Disclaimer: I know I keep saying this…..but if they kill off Ronnie I just do not know what I’ll do.) Doctor Who is also a traditional treat on Christmas night at Plas G and this year’s was super (and I didn’t fall asleep 15 mins before the end. Honest.) But the best thing I’ve seen this Christmas is Deadpool. I think he’s just taken the crown as my favourite superhero.
  • Family – UNUSUAL EVENT CLAXON – This year was the FIRST Christmas in memory that we had total of……ZERO arguments. That’s right ladies and gentlemen, round of applause please.
  • Children – This year has been special as it’s been the first Christmas I have spent with my own class. Those two weeks building up to Christmas were so much fun….but you can read last week’s blog for more of that.
  • And finally……GUYLIAN SHELLS. Yes, after almost 27 years of hinting (yes, I was hinting in the womb) SOMEBODY bought me a box of Guylian shells. My favourite chocolate treat. This year Z picked up on the sublte mentions and presented me with a box on Chrismtas Eve. (and by subtle mentions, I refer to the many times I have said ‘Oh look, Guylian shells. My favourite chocolate. No one ever buys them for me so if you do, I’ll love you forever. Guylian shells. Remember. Guylian. Repeat it back to me.’­ I’m such a lovely friend to have.)

Anyway anyway anyway, I hope your Christmas has been just as enjoyable and, like me, you’re looking forward to a brand new year. Now, I’d love to write more but I’ve got some Guylian shells that are begging for my attention and a bottle of wine which, frankly, it would be rude not to drink.

Image result for hairspray live

Last year I was totally won over by NBC’s live broadcast of The Wiz. In fact, I’m pretty sure I sang Brand New Day all over Christmas (complete with dance moves). So I was pretty excited when they announced this year’s live production was Hairspray – especially as I spent some time as a teenager obsessed with the show. Just to make me even more eager, Queen Kristen Chenoweth (of Wicked fame) was cast in the role of Velma.

So Friday night arrived, I’d resisted watching any clips on youtube so I could get the full first-viewing experience and the verdict was: pretty good.

There were a few problems with this production but nothing to stop it being an enjoyable bit of fun with a very important message. Firstly, some of the new dialogue seemed a bit forced and cheesy. Hairspray is a naturally funny show, but some of the new ideas made it appear like the production team were trying too hard. I also don’t think Kristen was given enough to do.  I know I’m biased (because I really do bloody love her) but she has a lot of talent and I was waiting for her to be really showcased. (Don’t even get my started on how angry I am that they cut her bow). I felt like Ariana Grande was used as the star vehicle. I’m not saying Ariana was terrible, I’m just not sure the production company realised just how much talent they had in the ensemble cast. However, the main issue with Hairspray live was the ad breaks. I honestly felt like I was watching ad breaks interspersed with bits of Hairspray. I don’t know if NBC or ITV2 were to blame but it really was ridiculous and it killed any momentum.  Image result for hairspray live

Casting Harvey Fierstein as Edna, reprising his role from Broadway, was a nice touch and I loved the little references to the Hairspray canon. (Ricki Lake making a cameo, a plumbing company named after John Waters). The final number, You Can’t Stop the Beat, is meant to have audiences dancing in the aisles (or in this case, their living rooms) and, thankfully, it did. It was definitely a high point of the show, along with anything Jennifer Hudson sang and Welcome to the 60’s.

What is most striking about Hairspray is its relevance. It’s been almost 30 years since the original movie and its themes and messages about diversity and segregation are still important. Hairspray reminds that we are all equal – regardless of race, size, gender, interests etc. – and any one of us is capable of achieving any goal. It was a much needed tonic for 2016 and, after the dreadful few months our World has had, I can’t think of a more perfect show to end the year with.

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Image result for roanoke AHS‘The old magic and new world created something new. Something original.’

I have a new obsession.

American Horror Story should be something that doesn’t interest me. It’s got all the ingredients of a show I’d usually hate – gore, cruel deaths and human jerky. However, despite it appearing to be a beast that is Anti-Rebellious G…..I absolutely love it.

I watched the first season, Murder House, about two years ago. It was around Halloween and feeling uncharacteristically in need of a scare, I came across season one. I was hooked from the beginning (despite having to shield my eyes from the titles.) I loved everything from its gritty characters to creepy sets to gripping (if a little whacky) plots. It was fresh and totally different to my usual viewing. Its also perfect October television. Best watched on dark nights with a cup of tea (and a pillow to hide behind).

Two years and six seasons later I am up to date. Friday nights in Roanoke are one of the highlights of the week. I always thought Asylum was the strongest season. Until now.

After the penultimate episode of season 6, I think Roanoke is the best season to date. And here’s why.Image result for roanoke AHS audrey gif

Firstly, the producers have made it obvious from the start that this season was going to be full of twists and even had us guessing months before episode one transmitted, as creators refused to reveal the theme. Even after episode one it was still unclear. The shift in format to a documentary-style narrative was interesting but writers were wise to end it mid-series and give us another twist – Return to Roanoke. The idea to continue the reality theme and give us a bloody Big Brother – mixing classic horror with the modern obsession with reality – was brilliant and it was good to see AHS favourites such as Sarah Paulson, Evan Peters and Angela Basset have some fun with their characters (multiple characters in this season’s case). For me though, the star of this season is Kathy Bates. You can’t help but feel for Agnes at some points during the season (especially episode six. N’awww) but it’s when that familiar murderous look flashes across her eyes and she starts going cray-cray with an axe that she really shines. (‘I am the tree and lightning that strikes it’.)

The whole season has just been so cleverly written and performed. Even Bates’quirky celtic accent turned out to be intentionally so after we met the desperate, obsessive actress behind the Butcher. The pivotal episode six had some great TV moments. It took the concepts of the first five episodes and rejuvenated them, twisting the season completely on its head. The writers explored every reality TV feature – distant action, confession booths and even characters eating cereal during dramatic arguments. It also seemed to poke fun at actors, with luvvy Audrey bragging about her Saturn nomination and Agnes proclaiming passionately that ‘there are only two great roles in the American canon. Mary Tyrone in Long Day’s Journey….and…..the Butcher’.

The comedy in this series has also been excellently and subtly done, coming mostly from the ‘actors’ from the re-enactment. Audrey and Rory’s overly-sickening wedding video is a stand-out moment, as well as Audrey taking the time to wallow in self-indulgence when she finds Shelby’s body. (‘Oh, God! I feel like part of me has died with her!’)

AHS also has plenty of treats for its fans. In recent seasons we’ve been treated to re-appearances of popular characters (such as Queenie, Marcy and Pepper) and next week sees the return of Lana Winters. It’ll be interesting to see how Lana interacts with series survivor Lee and whether all the answers to this season’s big questions will be wrapped up. I’m sure we’ll get a few unexpected twists and Sarah Paulson will continue to be fantastic as she steps back into Lana Banana’s shoes.

Roanoke has raced along with all the speed of three teens being chased through the woods by a pig man, but the shorter, streamlined season and the fresh new format has only left us itching for more. Cosy Friday nights won’t be the same without showers of teeth, forest dwelling cannibals and murderous nurses.

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