Category: Comedy


Right, it occurred to me that this year I have seen a lorra lorra theatre and, ridiculously, have only written about a few shows. So to catch up, this week I’m giving you four fast reviews for the productions I missed, but really did deserve to be talked about…..

Wonderland, Venue Cymru, LlandudnoImage result for Wonderland the musical

I’ll start with Wonderland because it’s got a bit of a tragic story.  I saw this in Llandudno in June and it was spectacular. Wonderland is the familiar story of Alice given a modern twist. Alice is a 40-something divorcee with a teenage daughter who enters Wonderland via a dodgy lift in her apartment block. She doesn’t take the trip alone as she’s joined by daughter Ellie and awkward love-interest Jack. Whilst in Wonderland they’re encouraged to go through the looking glass, a magical archway that exposes the other side of their personalities (cue Alice becoming stern and sensible and Jack transforming into a confident charmer.)

Wonderland boasted many memorably songs, particularly ‘Through the Looking Glass’ and ‘Finding Wonderland’, sung with passion and energy by a very talented cast. Rachael Wooding was a powerhouse as Alice, revealing Alice’s faults and insecurities poignantly. Bree Smith gave a cracking performance as the sassy Queen of Hearts, slaying with her performance of ‘Off with their heads’. Ben Kerr and Francesca Lara Gordon were also brilliant as the March Hare and Mad Hatter, giving us refreshing twists on the classic characters. The set pieces were gorgeous, fully immersing into the crazy world of Wonderland where anything is possible. Most striking was the way the famous tale of  Alice was re-worked into a modern setting, giving the characters (particularly Alice) a bit more depth along the way. Wonderland was a work of art and must-see, modern musical.

However, just a couple of weeks after seeing Wonderland, the tour was cancelled due to problems behind the scenes. There’s plenty of speculation online, but, whatever the reason, it’s a great shame that the hard work, commitment and talent of the cast and crew will go unseen.

Les Miserables, Queen’s Theatre, London

Image result for les miserablesThis was a bucket-list show that lived up to all of my expectations, and beyond. The star of the show is its musical score and I was not disappointed to hear Claude-Michel Schönberg’s music played by a live orchestra. ‘At the end of day’ saw the full cast launch into action with breath-taking harmonies whilst ‘Do you hear the people sing?’ gave the audience goosebumps you could strike a match on. Simon Gleeson was made for the role of Jean Valjean, whist Hollie O’Donoghue was perfect as Eponine, giving a beautiful performance of ‘On My Own’. Katy Secombe and David Langham stole every scene as the dastardly Thenardiers, providing much needed comedy amongst all the tragedy! The revolving set works really well, seamlessly taking the story across France and through the ages. The battle sequence in the second act is particularly stunning, with tense performances (and gun fire!) keeping the audience well on the edge of their seats. At one point it took all my will not to cover my eyes. The deaths during this battle scene are especially heart breaking (no spoilers), and many gasps were heard as the barricade revolved to reveal the true carnage. Les Miserables remains packed with emotion throughout and it ends in spectacular fashion with the beautiful finale. There’s no question as to why this show has been around for so long. It’s a must-see and a show that I’m sure I’ll revisit.

Don Juan in Soho, Wyndham’s Theatre, LondonImage result for don juan in soho

Sex, drugs and David Tennant – what’s not to love? Though, admittedly, the main pull to this production was, initially, that is starred a certain former Time Lord, I was pleasantly surprised to find a sparkling script and stellar performances waiting for me at Wyndham’s Theatre. Updated to 2017 and relocated to Soho, Don Juan tells the story of a privileged, hedonistic party-goer as he sleeps his way around London, picking up plenty of hookers and cocaine along the way. David Tennant was, of course, fantastic as the titular bastard, unleashing his inner-Russel Brand and being fantastically horrid to every other character, including his loyal aid, Stan, played excellently by Adrian Scarborough. The relationship between Stan and DJ is surprisingly endearing, though Stan, on the edge of a breakdown, is desperate for DJ to pay him so he can retire, he can’t help but stay by DJ’s side. Don Juan in Soho is strikingly contemporary, with references to the ‘strong and stable’ government we find ourselves trapped under today as well as several witty remarks about American politics. DJ deliciously berates the world we live in, stating social media, fake news and lying politicians as factors of a crumbling society in one passionately performed monologue that had the audience on the verge of shouting ‘Amen!’. DJ tries to explain to Stan that life is all about pleasure – shamelessly seducing the chavtastic Lottie (a brilliant comic performance from Dominique Moore) in a hospital whilst simultaneously trying it on with grieving bride Mattie in one ridiculously outrageous scene. Don Juan in Soho was theatre at its best as it forced the audience to think before they left their seats. It was engaging from the first moment, topical and surreal, and definitely one of the best plays I’ve ever seen.

The Curious Incident of the Dog in the Night-time, Venue Cymru, Llandudno

Image result for the curious incident of the dog in the night-timeA really touching story told in a refreshing, and visually brilliant, way. Christopher finds his neighbour’s dog has been killed and takes it upon himself to solve the mystery. His mission sees him uncover a family secret, which in turn takes him to the terrifying world of Central London. Scott Reid was phenomenal as Christopher, giving a truly powerful performance, particularly as Christopher’s condition begins to take control. The modern and tech-heavy set pieces drew us in to the story using clever effects (a green box giving the effect of a football match on TV, a remote control train bringing London to life before our eyes) to add an extra fizz to the already sparkling performances. Surprisingly, Christopher has uncovered the culprit by the interval, leaving the second act to explore the secrets of Christopher’s family and the effects his ‘behavioural problems’ have on his loved ones. Anyone who doesn’t feel prickly-eyed throughout Act 2 is incapable of emotion. The emotional energy of the performances is sometimes borderline unbearable, and the sequences in London are also quite overwhelming, as we experiences flashing lights, loud noises and almost nightmarish scenes, we’re forced to view the world from Christopher’s point of view. This is a play that will stay with you long after you’ve left the theatre.

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‘Darkness, grief and unspeakable sorrow.’

Well…not quite. Darkness, yes, but there were plenty of laughs at the WMC in Cardiff on Friday night. I’ve been reading a lot on twitter about The Addams Family musical so I was really excited when, by pure luck, I bagged two tickets for last Friday.

As the orchestra struck up the familiar theme tune, what was initially clear was just how well cast this show was. Samantha Womack is a perfect Morticia – cool and sultry throughout – whilst Cameron Blakely makes a terrific Gomez. Both actors have sizzling chemistry together (proven with a sexy tango) and match each other with each witty punchline. They both resurrect these iconic characters perfectly. Perhaps surprisingly, ‘Love’ is a key theme of this production, most prominently the love between a family, and Blakley shows Gomez’s love for his daughter,Wednesday, beautifully, particularly during the song ‘Happy/Sad’, where he reflects on the memories he has of his young daughter, such as the first time she set fire to the Jehovah’s witness, evoking the dark humour we associate with the family.  (Another example, when Alice asks if the Addams’ have a little girls’ room, Gomez responds with ‘We did, but we had to let them go.’)

At first, Wednesday’s (Carrie Hope Fletcher) change of character is a bit awkward, but all becomes clear when Wednesday belts her showstopper number ‘PRelated imageulled’, explaining that her change is a result of her love for Lucas. As the show progresses, it becomes clear Wednesday’s sadistic side is still lurking as she tortures her brother and gets very excited about potentially shooting Lucas in the head with her crossbow (all in the name of love, of course).

Valda Aviks was also fantastic as Granny, particularly during her ‘Full Disclosure’ speech. It was a smart move to address the ambiguity around Granny’s connection to the family from the cartoons and movies, by having Morticia refer to her as Gomez’s mother before Gomez retorts with ‘My mother? I thought she was your mother?’.

 

Les Dennis gave a great performance as Fester and his story thread of being in love with the moon was typically ‘Addams’ and, at the end, quite sweet. Dickon Gough also deserves a mention for his scene-stealing performance as Lurch. Lurch doesn’t speak but became a clear audience favourite thanks to Gough’s comic timing and surprising hip action in the finale number. (One complaint – where was Cousin itt?!). The main cast are supported by an excellent cast of ancestors, complete with choreography reminiscent of Thriller.

As well as the familiar quirky characters, the show boasts a catchy score. Andrew Lippa nails the new music and each number feels very natural to the characters. In particular, the opening number ‘When you’re an Addams’ is a definite ear worm and the final number, ‘Move towards the darkness’, will haunt you after you leave your seat.

What’s also impressive is the way the gothic Addams mansion is brought to life on stage via moving staircases and hidden entrances. The suspended moon above the Addams family home creates an eery and dramatic scene.

Overall, The Addams Family is a treat for theatre fans with a gorgeous score, fantastic visuals and a stellar cast.

Watch the opening number here

Watch the trailer here

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Image result for 42nd street londonI had an unexpected and very last minute trip to London last week.  Amongst the walking, talking and dining, I found myself at the Theatre Royal for a surprise tap-dance down 42nd Street.

I had very few preconceptions about the show, and I didn’t really have time to consider it too much, but I knew I was in for an old-fashioned, high-kicking performance. Four rows from the front, I had perfect seats (courtesy of TodayTix rush tickets) which gave a great close-up view of the stage.

The shows standout quality is its sheer spectacle. The sets and costumes are absolutely dazzling and during several musical numbers it’s hard to be anything but totally absorbed. The lights, moving set pieces, harmonies….It really is mesmerising. During one sequence a huge mirror is lowered to firstly, reflect the audience, and then tilted to show the dancers lying on the stage floor carrying out a very intricate synchronised sequenced. It was so impressive even the mirror got a round applause!

Tom Lister and Gabrielle Lewis-Dodson gave great performances as theatre producer Julien Marsh and clumsy chorus girl Peggy Sawyer. Sheena Easton was also brilliantly bitchy as the acerbic actress Dorothy Brock. I really enjoyed Jasna Ivir’s performance of Maggie Jones, delivering her witty one-liners with perfect comic timing (On musicians ‘Let’s just say they’re in a pit… and there’s a reason we keep them there!’)Image result for 42nd street london

Musically, the show boasts lots of catchy numbers, many of which I wasn’t familiar with until I’d seen the show, but caught myself humming many times since. ‘Go into your dance’ and ‘42nd Street’ are big tap numbers that get the audience going, but it’s ‘The Lullaby of Broadway’ that really steals the show. Ear worms a-plenty in this show!

The overall plot, a chorus girl getting her big break in a huge Broadway show, is a bit flimsy in parts, particularly some of the songs in the ‘Pretty Lady’ musical (What is the plot of that show?!), but that doesn’t distract from the energy and passionate performances of the cast.  42nd Street is a spectacular night out of good old fashioned West-End magic.

Watch the trailer here

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Warning: Spoilers within as well as references to explicit material.

Hello. My name is RebelliousG. And I would like to share with you the most amazing show.

In principle, The Book of Mormon sounds like it should be a pretty dull show. A musical about Mormons? Really? You’d be forgiven for guessing this show is an elaborate plot to promote the religion but, for those uninterested in changing faith, have no fear. This show is anything but an advertisement. And it’s certainly not dull. With tongue placed firmly in cheek, The Book of Mormon tells the story of smarmy, self-absorbed Elder Price and his loveable, clueless fellow missionary, Elder Cunningham, as they are deployed to Uganda on a hopeless mission to convert a village of agnostic Africans.

The opening Image result for book of mormon londonnumber welcomes us to the pristine and innocent world of Mormon friends as they practise their perky greetings. It’s a full on cheese-fest that’ll win anyone round immediately. It all goes a bit pear-shaped when, after dreaming of being sent to Orlando, Elder Price is packed off to Uganda and saddled with Elder Cunningham to dampen his mood further.

This is where things get a bit….explicit. The Mormons arrive in Uganda and meet a bunch of hapless missionaries who have yet to recruit anyone to the church, but stay positive by ‘turning it off’ – a useful technique of switching off all negative feelings, told wonderfully though a big tap number. Turn it off is the definition of a showstopper. Tap-dancing Mormons singing cheerfully about turning off their guilt, grief and suppresse
d sexuality. What more could you want? It’s topped off with the quickest costume change I’ve ever seen.

Another stand out number is the ‘Hakuna Matata’-esque, Hasa Diga Eebowai, sang by the Ugandan villagers on the Elders arrival. Don’t be fooled though, the writers knew exactly what they were doing with this one. At first it sounds like the Ugandans are singing a message of jolly perseverance to an INCREDIBLY catchy tune, but the true translation of Hasa Diga Eebowai is soon revealed to the horrified Mormons as a great big eff-you to God. It then descends into a barrage of explicit insults at the ‘heavenly father’ which, annoyingly (well…OK…not really), is a bit of an ear worm. (You’re really gonna have to try hard to get this tune out of your head!) The lyrics might be enough to force even the most open-minded person to cringe but the message of Hasa Diga Eebowai is actually a powerful one. The villagers have to deal with genital mutilation, awful living conditions, the threat of a war lord and the AIDS outbreak. A powerful line from the song sums it up

‘If you don’t like what we say,

Try living here a couple days.

Watch all your friends and family die,

Hasa Diga Eebowai!’

Some people might judge this musical number as offensive and I imaginRelated imagee this is the point where people might walk out (two people did in our performance) but if you put yourself in their shoes, you can see where their lack of faith has come from. The song actually does
what theatre is supposed to – it makes the audience challenge their ideas and empathise. I loved it!

From a show that tackles topics such as rape, FGM, violence and intercourse with amphibians, it has a really warm heart. The show never cruelly mocks Mormons or their beliefs, nor does it preach to the audience. Elder Price collapses under the strain of his new environment, and even endures having his book inserted somewhere very painful in another darkly comic moment, and it’s Elder Cunningham who emerges the hero. Although he lies to the villagers and spices up the Book of Mormon by ‘taking the holy word and adding fiction’, such as threats of the fiery depths of Mordor and being struck down by Boba Fett, he gives them something to believe in which gives them strength. Whilst Elder Price might lose his faith, he, as well as the other missionaries and villagers, are given a new one. The Book of Mormon promotes the power of Belief and how, whatever you choose to believe in, it can help you through the toughest situation.  We’re also given the message to ‘take one day at a time’ and not worry about life after death.Image result for book of mormon london hasa

KJ Hippensteel was delightfully cheesy as the ‘all American prophet with the Donny Osmond flare’. It must be hard to find the balance between face-punching arrogance and endearing naivety but Hippensteel treads that fine line perfectly as Elder Price. David O’Reilly gave us some side-aching moments of comedy as Elder Cunningham and you could tell he was enjoying every minute of being on stage. Another reason the show is such is a hit is that its main characters are poignantly human and flawed. They both make mistakes, whether that’s lying or, in the words of Jesus, just being a dick. There are moments when you know you shouldn’t like them….but you still do! Alexandra Ncube is a power house as Nabulungi (or is that….Neutrogena? Or Nutella? Or Nigel Farage?), giving us some sweet moments with Elder Cunningham and tingles as she sings her heart out in Sal Tlay Ka Siti. I’ve also got to mention Stephen Webb who gave an excellent performance as the secretly gay Elder McKinley, with subtle comic timing, never over-doing it.

The show is held together tightly by an excellent supportive cast. The Mormon missionaries are a joy to watch, whether they’re tapping in Turn it Off, high-kicking in hell during Spooky Mormon Hell Dream or breaking our hearts as they prepare to leave the village after a disastrous mission. The actors playing them gave a masterclass in being a dazzling ensemble with eye popping footwork and super-quick costume changes.

So, The Book of Mormon comes with the highest recommendation. Put any preconceptions aside, they’re not needed. This is a refreshing piece of theatre that pulls out all the stops and shocks in all the right places, for the right reasons. You’ll be tittering at the dark comedy for a long time afterwards, just as you’ll find yourself singing about the most inappropriate things at the photocopier at work the next day. But it stays with you for other reasons too. Beneath all the grimness and cynicism is a very warm heart and an important message. Plus it’s got a kick-ass soundtrack.  The worst thing about seeing this show is the desperate urge to see it again!

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Whenever I tell people I’m an NQT they always say ‘Wow that must be so rewarding’.

Of course, they’re right, it’s wonderful to see children learning and growing, but it’s also rewarding for another reason:  It can be a right good laugh.

I think it’s important to laugh in any workplace. You have to be able to see the light in any situation otherwise you’ll just go stark raving bonkers. Whether it’s in a grubby old petrol station populated by the rudest of the rude or in a classroom of energetic five year olds with firecracker imaginations, you have to be able to have a giggle. Thankfully, in all of my previous jobs and training I’ve ended up with some hilarious people. And some absolute nutters.

Both of my teaching placements were home to some real characters, in the classroom and the staffroom, and I heard stories that I could never ever repeat. This is where I learned that having fun is paramount in our job. It’s high pressure but as long as you are having fun along the way and able to relax around your peers then you can get anything done. I don’t just mean the adults – we know that children learn best when they’re enjoying themselves and the children benefit from a positive learning atmosphere where their teachers all get on. One of my placements was a great example of that. The teachers, whilst always professional, openly joked and played tricks on each other in front of the children who loved it! The teachers were modelling an honest, fun friendship and I think it was great for the children to see that.

I was equally lucky with my supply schools. I don’t think I went to one school where there was a frosty staffroom atmosphere. Although the level of jokes and banter was different, it was always there. I learned a lot from one school in particular, where I was the only male teacher, most of which I just could not repeat in a blog. But it was lots of fun and I always looked forward to another weekly visit full of laughter (and abuse).

In my current school, all of the staff get on. We go on staff outings and are constantly laughing with each other. It’s the best place to work and, even during the toughest times, we can always find a moment to cheer each other up and have a cheeky chuckle.

The funniest comments, though, come from the children. They are bonkers. Sometimes they can come out with the perfect observation to send you into a hysterical meltdown, or mispronounce just the right word to get you chuckling. We’re only five weeks in and one of my children says to me regularly ‘Mr H….you love to laugh!’. He’s right and I do count myself very lucky that there is so much scope for fun in my job. (Though it can be detrimental, especially when you get a fit of giggles mid-way through reading a story and have to abruptly finish it with ‘and that’s the end’ as your eyes start leaking and your voice turns suddenly soprano. Never done that.)

So, if you’re suffering from the Monday Miseries, I challenge you to go back to work tomorrow and find the fun. Look for it. Laugh at everything. Belly-laugh with your boss, be silly with your secretary, cackle with your colleagues and bring on the LOLs. Who says you can’t dress up as a Dalek or have after-school computer chair races across the hall? (Disclaimer: I have never participated in such unprofessional behaviour. Honest.)

To perk up your Monday, here are a few classic moments that, over the years, provoked sudden fits of giggles. (If you don’t find them funny then….maybe you had to be there!)

1) The moment you realise you make the sounds of the rainforest to get the children’s attention when they’re being too chatty. ‘Eeeerrrmm’, ‘OH!’, ‘tut-HUH!’ *long gasp*

2) ‘Mr *****, I drew this picture for you to take home to your grandkids.’ (I’m 26).

3) Explaining an activity and realising a child is staring intently at my teeth. ‘Are you a vampire?’.

‘No…’.

‘Then….why do you have fangs?’

4) ‘Sir, are you a lifeguard?’

‘No. I’m a teacher.’

‘Oh, OK. You look like a lifeguard.’

6) ‘Who can tell me what pirates like to eat?’

‘I know. Tagliatelle.’

7) Being unable to teach odds and evens because there is a child called Ethan in your class and you keep getting utterly confused. ‘Is it an odd or an Ethan?’ ‘What do you think, Even?’

8) That one poor child in the class who says ‘shhh’ instead of ‘sss’. I challenge anyone not to laugh when he tells you he sat on father christmas’ knee.

Note: I’ve vetted these seven and deemed them suitable to disclose. As for the rest, well, my lips are sealed.

With last week’s sad news about the brilliant Victoria Wood, I wanted to share my top five Wood moments. Writer, actress and stand-up comic – her talent was endless and she’s a huge loss to the entertainment world.

Number 5 – Dolly thinks she’s accidentally taken Viagra.

I loved Dinnerladies when I was growing up. I would sneakily stay awake and watch it quietly in my room. I loved the relationships between the characters and, although I was only around ten at the time, I would grow up to recognise those characters in everyday life. Victoria had a skill for creating characters that were so rounded and real. One stand-out moment – and there were almost too many to choose from – is from ‘Christine’ when Dolly thinks she has accidentally taken Viagra after picking up the wrong mug of tea, resulting in a hilarious, warbling, anxiety-ridden tirade from Dolly. I have had the pleasure of knowing a real-life Dolly and I always chuckle to myself and think of her during this scene.

‘What will it do to a woman? Where will it go? What will happen when it gets down there and finds there’s nothing to pump up! It’ll be like a range rover going top speed into a cul-de-sac!’

Brilliant performance from Thelma Barlow, and brilliant writing from Victoria.

Number 4 – ‘I might have to smash your face in with a tin of beans.’

Again, from the episode ‘Christine’, this deadpan delivery from Bren stands for Wood’s talent as an actress as well as a writer. In Bren, she has created a character who we can all empathise with. She’s witty and kind but not without her faults. Bren is down to earth. Everyone knows a Bren. She mixes up words and slips in ‘do-dahs’ and ‘thingmajigs’ like so many people I know (including myself). Bren is continuously thoughtful towards others, even those we who don’t deserve it, like her mother, who constantly takes advantage of her. Bren is the hub of the canteen and an underated comedy character.

Tony: So you’re not pregnant then.

Bren: Not unless sperm can get through a sash window.

Number 3 – The Large Woman in a Cake Shop

I chose Victoria Wood: At it again to study as part of my A Level English Language course. I had to watch the DVD over and over again and write a transcript of it. It was hilarious and even though I had to watch it so many times it never got old and I still laugh about it today. I still think about the following gag whenever I go into a cake shop.

If you’re big in this country, eating is a very shameful thing. You can’t imagine this scenario in England: Big woman goes into a cake shop and says ‘I would like a cake please. It is for me. I am going to eat it myself.’ It couldn’t happen, could it? She would have to go in and say ‘Erm…can I have a cake please? Erm…a woman has collapsed two streets away and, erm, I think it’s a diabetic coma. On the other hand it could be head injuries, in which case, I’ll eat it myself.’

Number 2 – Two Soups

I don’t need to say much about this one. It’s just brilliant. Written by Wood but with cracking performances. Enjoy.

Number 1 – The Ballad of Barry and Freda

Z and I were only singing this last week. Fantastic lyrics and a very catchy tune. Be prepared to have this stuck in your head for the rest of the week. Have a listen, it’s a treat!

It’s amazing how much Victoria has contributed to the entertainment world. She has made me laugh so many times and will always be one of my comedy heroes.